An American Editor

September 8, 2014

Thinking Fiction: An Overview of the World of Fiction Copyediting

Today’s essay introduces Amy Schneider and a new monthly series, “Thinking Fiction,” to An American Editor. Amy’s focus will be on fiction editing and writing. Please welcome Amy as a new columnist for An American Editor.

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An Overview of the World of Fiction Copyediting

by Amy J. Schneider

When I mention that I spend a fair amount of my professional life copyediting fiction, colleagues (especially those who have edited only nonfiction) and laypeople alike are fascinated. Wow, so you earn your living by reading romances and thrillers? Neat! Well, as with all editing there’s a bit more to it than just reading. Nonfiction editors recognize this, but they worry about getting so caught up in the story that they forget to edit judiciously. Or they worry about sullying the author’s creative work. In my contributions to An American Editor, I hope to address some of these issues and share my approach to copyediting fiction.

What Fiction Copyediting Is Not

  • If you are an aspiring or actual novelist, this is not the time or place to try to take over the telling of the story or critique the work. Your job is mechanical only. You may certainly set your writer’s or critic’s hat off to the side and glance at it from time to time as you copyedit, but do not even think about putting it on. A common saying among editors is “It’s not my book,” and this certainly applies when we are copyediting fiction.
  • This is also not the place to apply your own moral code. Unlike in most nonfiction, you may encounter naughty words, unpleasant people and actions, blasphemy, and (gasp!) sex scenes. Your job is to copyedit the narrative and dialogue in all its unsavory glory. You may certainly choose not to accept projects in genres such as erotica or violent military or paranormal thrillers — but once you do, you’re duty bound to edit the text respectfully and keep it true to itself. (Is that term for a sexual act one word or two? Decide and put it on the style sheet. Not every style sheet is one that you would show to your mother.)
  • In fiction, grammar, punctuation, syntax, style, and the like are much more fluid. Fiction authors often use words to paint a picture, create a mood, wax poetic. Characters may or may not speak grammatical English, whether in dialogue or in first-person narrative. If you are a stickler for language perfection, you must retrain your brain a bit when copyediting fiction. Mind, it’s not a free-for-all, and when copyediting for a publisher you need to balance house style against the author’s voice, but you must also be aware of when it’s okay (or even necessary) to break the rules.

Making the Transition from Nonfiction Copyediting

When I started freelancing, my bread and butter was copyediting college textbooks. Very formulaic, strong adherence to rules. So when I started editing fiction, like my nonfiction editor colleagues mentioned earlier, I worried about interfering with the story or offending the author. But really, copyediting fiction is just wearing a different hat. Instead of keeping the text 100 percent in line with the real world, it is your job to ensure that the story is internally consistent within its own world, whether real or fictional. This means checking both real-world facts (are there mountains in Wisconsin?) and fictional ones (which colors of magic stones are sentient and which are not?); errors in either case may interfere with the reader’s enjoyment of the story (keeping in mind that authors sometimes deliberately fictionalize locations and other facts for various reasons). If the book is part of a series, ideally the same copyeditor will have handled the series from book one onward to ensure continuity across the entire story arc (I’ll talk about series copyediting in a future essay). Here are some of the things you’ll handle as you copyedit:

  • General style sheet: Every book needs one, and fiction is no exception. You need to track treatment of numbers (e.g., they are usually spelled out in dialogue, but not always). You need to keep a list of abbreviations for both real and fictional entities. How is dialogue punctuated? How are we treating internal thought, telepathic dialogue, remembered speech, handwriting, text messages, and so on? These need to be noted on the general style sheet. Which terms of address are capped (Officer, Detective) and which are not (ma’am, sweetheart)? The author may choose one style or another. Or the publisher may request that the author’s style be changed. Because these choices are so fluid in fiction, you need to note them for each book.
  • Characters: Some authors keep rigorous track of their characters’ attributes — but many do not. Or they make changes but don’t catch every instance. Marcel becomes Malcolm. Julie’s eyes change color from blue to green. Greg is left-handed but wears a golf glove on his left hand (oops — most golfers wear the glove on their nondominant hand). Lee is single and an only child — so how is it that she has a niece? Back when you edited book one in the series, you noted that Claude could read ancient Greek, but now in book three he has mysteriously lost that ability. Time to query!.
  • Locations: Again, you’ll track both real and fictional locations. Cathy’s bedroom is on the second floor, and the walls are painted blue. Sticksville is 25 miles from Cityscape. The tree on the west side of the park is a magnificent oak. And so on. So when Cathy walks in the front door of her bungalow and down the hall to her green bedroom, it’s time to query.
  • Timeline and plot: The level of detail here will vary. Some authors use only vague time markers (a few days later; by spring), if any. Others are more specific, mentioning dates, days of the week, and times of day. You need to note all references to time, whether vague or not: Carlos’s birthday is next month. The Friday night knitting club meets tomorrow (in which case today had better be Thursday). The last mention of time today was nine a.m.; has the action moved along sufficiently that it can now be midnight? I use a Word table that looks like a monthly calendar page to track time-related facts, because that’s how my brain works; it also helps me follow timelines that range over weeks or years, to make sure that six weeks isn’t really three or that it’s not snowing in Minnesota in what should be July.
  • Kid gloves: The most important part of your fiction copyeditor’s uniform is your kid gloves. As I alluded to earlier, a work of fiction is the author’s creative work — the author’s baby. Often there is no clear “right” or “wrong.” Query carefully and tactfully. If wording seems awkward enough to pull the reader out of the story, suggest a revision and explain the reason, rather than making the change outright. (Remember that it’s not your book.) I use the word perhaps a lot when querying: “Perhaps substitute [word or phrase] here, [give reason]?” Couch your queries in terms of what’s best for the story or for the reader’s enjoyment.

In future essays, I’ll discuss these and other topics in more depth. I look forward to engaging with you and getting down to the nuts and bolts of editing fiction.

(For another perspective on fiction editing, see Erin Brenner’s The Practical Editor: What You Need to Know to Edit Fiction — AAE)

Amy J. Schneider (amy@featherschneider.com), owner of Featherschneider Editorial Services, has been a freelance copyeditor and proofreader of fiction and nonfiction books since 1995. She has shared her insights on copyediting fiction as a speaker at the Communication Central conferences, in writing for the Copyediting newsletter, and in an audioconference for Copyediting.com. Amy can be reached at LinkedIn, via Twitter, and on Facebook.

August 13, 2014

On Today’s Bookshelf (XVII)

Here is a list of some of the books that I am reading (or acquired or preordered and added to my to-be-read pile since the last On Today’s Bookshelf post) either in hardcover or in ebook form:

Nonfiction –

  • A Scream Goes Through the House: What Literature Teaches Us About Life by Arnold Weinstein
  • The Borgias and Their Enemies by Christopher Hibbert
  • The Suspicions of Mr. Whicher by Kate Summerscale
  • American Rose: A Nation Laid Bare: The Life and Times of Gypsy Rose Lee by Karen Abbott
  • Our One Common Country: Abraham Lincoln and the Hampton Roads Peace Conference of 1865 by James B. Conroy
  • A World Undone: The Story of the Great War, 1914 to 1918 by G.J. Meyer
  • Stalin’s Genocides by Norman M. Naimark
  • Plotting Hitler’s Death by Joachim Fest
  • An Artist in Treason by Ando Linklater
  • Imperial Spain 1469-1716 by J.H. Elliott
  • The Transformation of the World: A Global History of the Nineteenth Century by Jurgen Osterhammel
  • The Road to Black Ned’s Forge by Turk McCleskey
  • Words and Rules: The Ingredients of Language by Steven Pinker
  • The Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century by Steven Pinker
  • Enemy at the Gates: The Battle for Stalingrad by William Craig
  • Tears in the Darkness by Elizabeth Norman and Michael Norman
  • The Most Dangerous Book: The Battle for James Joyce’s Ulysses by Kevin Birmingham
  • Fear Itself: The New Deal and the Origins of Our Time by Ira Katznelson
  • The Sea and Civilization: A Maritime History of the World by Lincoln Paine
  • Blood Libel and Its Derivatives: The Scourge of Anti-Semitism by Raphael Israeli
  • Revolutionary Ideas: An Intellectual History of the French Revolution from The Rights of Man to Robespierre by Jonathan Israel
  • The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II by Denise Kiernan
  • Democratic Enlightenment: Philosophy, Revolution, and Human Rights 1750-1790 by Jonathan Israel
  • Enlightenment Contested: Philosophy, Modernity, and the Emancipation of Man 1670-1752 by Jonathan Israel
  • Radical Enlightenment: Philosophy and the Making of Modernity 1650-1750 by Jonathan Israel

Fiction –

  • The Purity of Vengeance by Jussi Adler-Olsen
  • A Foreign Country by Charles Cumming
  • Darkfire by C.J. Sansom
  • The Innocent by Ian McEwan
  • The Oracle Glass by Judith Merkle Riley
  • Final Witness by Simon Tolkien
  • Red Cell by Mark Henshaw
  • Signora Da Vinci by Robin Maxwell
  • The Devil’s Elixir by Raymond Khoury
  • HHhH by Laurent Binet
  • Limits of Power by Elizabeth Moon
  • The Street Philosopher by Matthew Plampin
  • Beautiful Assassin by Michael White
  • The Director: A Novel by David Ignatius
  • Eye for an Eye by Ben Coes
  • A Journeyman to Grief by Maureen Jennings

As you can see, much of my summer has been spent acquiring (or preordering) and reading nonfiction books.

I am particularly looking forward to reading the last three in the nonfiction list (the trilogy by Jonathan Israel). The books have been favorably commented on several times in the past few months by reviewers in reviews of Israel’s newest book, Revolutionary Ideas: An Intellectual History of the French Revolution from The Rights of Man to Robespierre, which I also purchased. Unfortunately, that book wasn’t so well reviewed and had I read the reviews before purchasing the book, I might have thought twice about buying it. But now that I own it, I will eventually read it and decide for myself.

One of the books on the list that I am currently reading is The Most Dangerous Book: The Battle for James Joyce’s Ulysses by Kevin Birmingham. Although I have not quite finished reading the book, I can whole-heartedly recommend it. It is a fascinating look at censorship in the United States during and following World War I and how federal and state governments turned over the role of censor to private antivice groups.

Of even greater interest to me is the revelation of how Joyce was perceived by his contemporaries. Ulysses, a book I have never thought much of, was considered by many, including Sylvia Beach, Ezra Pound, F. Scott Fitzgerald, and Ernest Hemingway, to name just a few, to be the greatest written work of all time. And Joyce received patronage to enable him to write. One admirer gave him what would be £1,000,000 today to sustain him as he wrote.

In many ways, Joyce was a tragic figure. Were he writing today, I doubt that he would have had the support he was given then. But it is worth reading how Ulysses was suppressed, was smuggled into the United States, and, ultimately, with the backing of Bennett Cerf, founder of Random House, was found not to be obscene. If you read just one book about books this year, this should be the book.

What are you reading? Do you have any recommendations to share?

Richard Adin, An American Editor

July 14, 2014

What Are They Thinking? UPs and the Road to Self-Destruction

As readers of An American Editor know, I am a buyer of books. My to-be-read pile grows faster than I can read and is likely to require me to come back in the afterlife to read all that I am accumulating. (To discover what is in my TBR pile, see, e.g., On Today’s Bookshelf [XVI], the most recent listing in the series, and the previous 15 similar articles [search for On Today's Bookshelf]) The problem is that there are a lot of interesting (to me) books being written and I want to add some of those books to my library. Even if I do not get an opportunity to read every book I am acquiring, I hope they will intrigue my children and grandchildren.

As I have remarked in previous essays, I often find books of interest by reading publisher ads in the New York Review of Books. The NYRB often has ads from university presses, and the UPs are often the publishers of books that capture my interest.

In a recent issue of the NYRB, Stanford University Press had a full-page ad for new books. Of the seven books that Stanford promoted, four caught my eye (Capitalism v. Democracy: Money in Politics and the Free Market Constitution by Timothy K. Kuhner; The Headscarf Debates: Conflicts of National Belonging by Anna C. Korteweg and Gökçe Yurdakul; Mother Folly: A Tale by Françoise Davoine; and The Orphan Scandal: Christian Missionaries and the Rise of the Muslim Brotherhood by Beth Baron). Although I was interested in the four books, I was particularly interested in The Orphan Scandal.

In my normal course, I would have simply gone to either the Barnes & Noble or Stanford University Press website and ordered at least The Orphan Scandal, and more likely several, if not all four, of the books. But not this time.

There are several problems from my perspective as a book-buying consumer, which make me wonder: What are they thinking?

I am interested in buying the books in hardcover — definitely not paperback and only maybe in ebook. I want the books as additions to my library. Yet the hardcover versions are not remotely reasonably priced, even though these books are likely to be print-on-demand books, not traditionally printed and distributed.

I have no objection to POD books. I understand that academic books (especially) have limited audiences and that to do a print run of the books and then to warehouse them, as was required not so long ago, is a costly venture. I also know from my days as a publisher that small print runs are very expensive. Consequently, the fiscally responsible way to publish limited-audience academic books is POD.

But what sense is there in further limiting your book-buying audience by unreasonably pricing the book? The Orphan Scandal‘s hardcover price is $85. The book is 272 pages. Compare this to Abraham Lincoln: A Life by Michael Burlingame, published by Johns Hopkins University Press, which is 2 volumes in a slipcase, runs 2008 pages, and retails for $130 but is available for $100. (For those interested in Lincoln, I highly recommend this biography. It is excellent — well written and comprehensive.)

I understand that the books are different and the economics may be different so that I am not really comparing likes when I compare The Orphan’s Scandal to Abraham Lincoln. Except that Amazon has turned books into commodities and like other consumers, I decide to buy or not based on many factors, including price. I am probably less sensitive to price than many, if not most, book buyers, but I am not indifferent to it. (The other three books that interest me are $85 [2 books] and $90 in hardcover.)

There is a price point that tilts a buying decision one way or the other. There is also a price point that when exceeded acts as a self-fulfilling prophecy of limited sales. And there is also a price point that when exceeded strikes book buyers as unreasonable or absurd, especially if a book buyer believes that the book is a POD book. Again, not because POD books are of lesser quality, but because there is little to no justification for the price spread between the paperback version and the hardcover version. A POD hardcover costs a few dollars more to create, but not more than triple the cost of the paperback.

Stanford University Press is not alone in its absurdist pricing. I have noted other UPs following a similar strategy. I want these books because they interest me; I do not need these books. Because I do not need these books, economics plays a greater role in my purchasing decision.

I decide to buy a book by applying many criteria, but the primary criteria are subject matter interest, likelihood that the book will rise to near the top of my TBR pile, and does the price reflect (in my estimation) the knowledge value of the book. Knowledge value is difficult to explain. It is not a determination of the academic value of the content or the qualifications of the author; rather, it is a judgment about where the content’s value lies on the continuum of my personal interests.

For example, I am especially interested in anti-Semitism and the Holocaust. If these books fit within those subject areas, the content would have a higher knowledge value for me and thus I would be willing to spend more on the books. (This is one reason why I so willingly buy books on language [see, e.g., On Books: Dictionary of Untranslatables] regardless of the cost.) But these books do not fit into such an area; they fit more into a general interest area, and so I am unwilling to spend without limit.

University presses are generally hard pressed for money and for readers. Some of that is attributable to the books they publish. The UPs are filling a knowledge role that traditional publishers are unwilling to fill. UPs are, for want of a better word coming to mind, niche publishers. The niche is the preservation and advancing of knowledge that is of interest to small numbers of people. UPs fulfill this role admirably.

But what are they thinking when they so price their books that they make their potential audience even smaller than it could be? Again, with print-on-demand publishing, there is little justification for charging more than triple the price of the paperback version for a hardcover. If UPs continue this unrealistic trend in pricing, I know I will be buying fewer UP books.

How does pricing by university presses affect your decision to buy a UP book?

Richard Adin, An American Editor

June 25, 2014

On Today’s Bookshelf (XVI)

It hasn’t been very long since my last On Today’s Bookshelf (XV) was published, just two months. But it seems that I have had the (mis)fortune (depending on one’s perspective) to discover a lot of books that interest me. And so I have been spending money acquiring yet more books for my ever-growing to-be-read pile. Fortunately, many of them are in ebook form, although if I read a nonfiction book in ebook form and find I really enjoy it, I tend to buy a hardcover version for my library. (It would be so much better for me if publishers bundled the ebook with hardcover version for just a few dollars more than the hardcover alone. I’d always buy the bundle.)

I admit that I get a great deal of pleasure from sitting in my library and looking at the hardcovers on the shelves, remembering the books as my eyes slide over the spines. As much as I like the convenience of ebooks, ebooks fail to evoke in me the sensory pleasure (or the memories) that print books bring forth. Scrolling through a list of ebooks just doesn’t provide the same degree of pleasure I get from sitting in my library surrounded by print books.

Books are the armchair way to experience the world in which we live. Few of us have the resources, whether it be financial or time or something else, to spend years traveling our world and participating in discovery. Consequently, we rely on others to do the legwork and to share their experiences and gained knowledge. Books are a guilt-free addiction. Editing fills part of my craving; the rest of my craving is fulfilled by the books I acquire and read. Alas, there isn’t enough time to sate that craving and so I keep on acquiring.

Here is a list of some of the books that I am reading (or have acquired and added to my to-be-read pile in the two months since On Today’s Bookshelf XV was published) either in hardcover or in ebook form. I have already started On Today’s Bookshelf XVII.

Nonfiction –

  • Eyewitness to Genocide: The Operation Reinhard Death Camp Trials, 1955-1966 by Michael S. Bryant
  • Confronting the Good Death: Nazi Euthanasia on Trial, 1945-1953 by Michael S. Bryant
  • Reading Dante: From Here to Eternity by Prue Shaw
  • A Scrap of Paper: Breaking and Making International Law during the Great War by Isabel V. Hull
  • Triangle: The Fire That Changed America by David Von Drehle
  • Spillover: Animal Infections and the Next Human Pandemic by David Quammen
  • The Poisoner’s Handbook: Murder and the Birth of Forensic Medicine in Jazz Age New York by Deborah Blum
  • What Stalin Knew: The Enigma of Barbarossa by David E. Murphy
  • Agent Zigzag by Ben Macintyre
  • God’s Jury: The Inquisition and the Making of the Modern World by Cullen Murphy
  • 1858: Abraham Lincoln, Jefferson Davis, Robert E. Lee, Ulysses S. Grant and the War They Failed to See by Bruce Chadwick
  • Shake Hands with the Devil: The Failure of Humanity in Rwanda by Romeo Dallaire
  • Thomas Cromwell: The Rise and Fall of Henry VIII’s Most Notorious Minister by Robert Hutchinson
  • House of Treason: The Rise & Fall of a Tudor Dynasty by Robert Hutchinson
  • The Party: The Secret World of China’s Communist Rulers by Richard McGregor
  • Thomas Cromwell: Servant to Henry VIII by David Loades
  • Opus Dei: An Objective Look Behind the Myths and Reality of the Most Controversial Force by John L. Allen
  • Vienna 1814 by David King
  • The Destructive War by Charles Royster
  • The Myth of Seneca Falls: Memory and the Women’s Suffrage Movement, 1848-1898 by Lisa Tetrault
  • The Embrace of Unreason: France, 1914-1940 by Frederick Brown
  • How Could This Happen: Explaining the Holocaust by Dan McMillan
  • Heretic Queen: Queen Elizabeth and the Wars of Religion by Susan Ronald
  • Machine Made: Tammany Hall and the Creation of Modern American Politics by Terry Golway
  • 1177 BC: The Year Civilization Collapsed by Eric H. Cline
  • The Last Alchemist, Iain McCalman

Fiction –

  • The Inventor’s Secret by Andrea Cremer
  • Unwrapped Sky by Rjurik Davidson
  • The Dark Citadel Trilogy (3 books): The Dark Citadel, The Free Kingdoms, and The Golden Griffin by Michael Wallace
  • The Mapmaker’s Daughter by Laurel Corona
  • Paris by Edward Rutherford
  • The Legend of Oescienne: The Awakening (Book 3) by Jenna Elizabeth Johnson (I previously bought and read book 1: The Finding and book 2: The Beginning)
  • Last Rituals (Thóra Gudmundsdóttir Series #1) by Yrsa Sigurdardottir
  • Power Down by Ben Coes
  • The Soul Forge by Andrew Lashway
  • The Heretic’s Daughter by Kathleen Kent
  • Blood Money by David Ignatius
  • Stone Cold by Joel Goldman
  • Natchez Burning by Greg Iles
  • The Increment by David Ignatius
  • In the Hall of the Dragon King by Stephen Lawhead
  • Agency Rules by Khalid Muhammed
  • The Scavenger’s Daughters by Kay Bratt
  • Promise of Blood and The Crimson Campaign (Books 1 & 2 of the Powder Mage Trilogy) by Brian McClellan
  • The Sunne in Splendour by Sharon Kay Penman
  • Mirror Sight (Book 5 of the Green Rider series) by Kristen Britain
  • The Tattered Sword and The Huntsman’s Amulet (Books 1 & 2 of The Society of the Sword series) by Duncan Hamilton
  • All the Light We Cannot See by Anthony Doerr
  • The Night Birds by Thomas Maltman

As you can see from the lists, nonfiction and fiction are about equal. Interestingly, for the past 6 or so months, the majority of my reading has been fiction, which should have meant that fiction would greatly outnumber nonfiction. But I know that it won’t be long before I return to nonfiction to the near exclusion of fiction. More importantly, most of the nonfiction I acquire in hardcover, whereas the fiction is largely acquired in ebook format.

A goodly number of the nonfiction books I acquired I discovered from reviews or ads in the New York Review of Books. One of the things I like about the NYRB is that the book reviews almost always not only discuss the book being reviewed, but other books relevant to an understanding of the subject matter. Thus the reviews act as leads for me to acquire other, older books.

Am I the only editor whose TBR pile keeps growing and who cannot stop buying books? What are you reading/stockpiling? I know I ask that question with regularity, but it would be nice if more of you listed books you are buying/reading in the comments — it would expose the rest of us to books and authors we haven’t read.

Richard Adin, An American Editor

May 28, 2014

On Books: Marketing Your Editing & Proofreading Business

What is the one thing that every freelancer needs to do but most don’t do? Self-marketing!

Many freelancers have websites or participate in social media, but their marketing efforts are more passive than active. We are uncomfortable with active marketing largely because we do not know how to do it.

Years ago I taught marketing to editors and writers. It was an all-day course and I was surprised at how few people attended and, in follow-up, how few of the few who did take the course actually implemented what they learned. I suspect that in those pre–social media days, we believed that our community was small enough that personal relationships were more important and “marketing” was an unnecessary evil. (This view was often stated on editor forums.)

I admit that my view was different and for many years, I dedicated at least 10% of my gross income to marketing my services. My experience convinces me that smart marketing was and is necessary. Over the years I would read in online forums complaints from colleagues about having too little work, too long between jobs, too low an income, etc. These were phenomena with which I was unfamiliar and I attribute that to marketing. But I was preaching to the deaf.

It appears that the new generation of freelancers recognizes the need to market but needs direction on how to do it. At long last, there is a starting point for learning how to market. Louise Harnby has written Marketing Your Editing & Proofreading Business, a guide for freelancers through the labyrinth of self-marketing.

Harnby’s book is not perfect and I have some disagreements with some of her statements, but then I look at marketing through much different glasses. For example, early in her book (p. 6), Harnby writes: “The truth is this — there are no rules.” Yes, there are rules. What there aren’t are limitations to what can be done — marketing is limited only by your imagination and pocketbook. But there are fundamental rules to successful marketing.

One such rule is that to be successful you must repeatedly market to the same audience. You cannot, for example, send an inquiry once to a prospect and leave it at that, even if the prospect says no or ignores you. If you want to work for that prospect, you must repeatedly remind that prospect of your interest and availability. Harnby both makes and skirts this point in Chapter 10, “Regular Marketing.” She emphasizes the need to keep marketing but doesn’t point out directly the need to keep marketing to the same group.

One of the great strengths of Marketing Your Editing & Proofreading Business is its “case studies.” I wish more detail was given in some instances, but every case study was enlightening. Importantly, the case studies reinforce the idea that what Harnby suggests is both doable and worthwhile. I particularly liked her sample marketing plan. If you read nothing else in the book, you need to read this because it is a good introduction to preparing a marketing strategy.

Another exemplary chapter is Chapter 20, “Going Direct.” When I worked in advertising and marketing in the very early 1970s, going direct was a cornerstone of a marketing plan for a small business. With the growth of the Internet and social media, going direct declined greatly or turned into spam. Harnby explains both how to go direct and why to go direct, making the case for its use even in the age of social media.

Not talked about in the book, but something that should be included in any revision, is the marketing calendar. Creating and maintaining a marketing calendar is important and a key to marketing success. Marketing is about timing as well as content. Great content that is used at the wrong time loses impact. A marketing calendar lets you focus on creating a marketing tidbit around a specific time or event. For example, I used to send out special gift packages for Halloween with my marketing pitch, which pitch was also Halloween oriented. Next up on the calendar was Thanksgiving. Because I kept a calendar, I knew when I had to prepare the material for each of these marketing events and when I had to mail the items. It would do little good to send something for Thanksgiving and have it arrive after the holiday or when no one was likely to be in the office to receive it. In addition to the detailed marketing plan that Harnby discusses, the detailed marketing calendar is also important.

Another item that should be included in a future edition is the marketing budget. How to create one, how to fund one, how to spend one — these are all important issues that need addressing when dealing with any marketing effort. For example, an issue that would fall under the budget category is should you design your own website or hire a professional? How do you make the budgetary analysis?

Harnby’s book, Marketing Your Editing & Proofreading Business, demonstrates that any of us can do successful marketing. All we need is a little help and guidance, which Harnby’s book provides. It is the first book on marketing for freelancers that I would whole-heartedly recommend. It covers the essentials in sufficient detail for any freelancer to start a successful marketing campaign.

Marketing Your Editing & Proofreading Business is a must-have book in my library. I learned quite a bit that I was unaware of and that I am not taking advantage of in my marketing efforts, which I will think about rectifying. I am convinced that freelancers who follow Harnby’s advice — and persist in their marketing efforts — will ultimately find themselves overwhelmed with offers for work. For more information about Marketing Your Editing & Proofreading Business, click this link.

Richard Adin, An American Editor

April 23, 2014

On Today’s Bookshelf (XV)

Here is a list of some of the books that I am reading (or acquired and added to my to-be-read pile since the last On Today’s Bookshelf post) either in hardcover or in ebook form:

Nonfiction –

  • Harry Truman and the Struggle for Racial Justice by Robert Shogan
  • The Chosen Few: How Education Shaped Jewish History, 70-1492 by Maristella Posttiani & Zvi Eckstein
  • Destiny of the Republic: A Tale of Madness, Medicine, and the Murder of a President by Candice Millard
  • The Last Campaign: How Harry Truman Won the 1948 Election by Zachary Karabell
  • The Spanish Inquisition: A Historical Revision by Henry Kamen
  • Ghettostad: Lodz and the Making of a Nazi City by Gordon J. Horwitz
  • Eichmann’s Jews: The Jewish Administration of Holocaust Vienna, 1938-1945 by Doron Rabinovici
  • The Decline and Fall of the British Empire 1781-1997 by Piers Brendan
  • The History of the Renaissance World by Susan Wise Bauer
  • The Heavens are Empty: Discovering the Lost Town of Trochenbrod by Avrom Bendavid-Val
  • Understanding the Book of Mormon by Grant Hardy
  • Would You Kill the Fat Man? The Trolley Problem and What Your Answer Tells Us About Right and Wrong by David Edmonds
  • A World Without Jews: The Nazi Imagination From Persecution to Genocide by Alon Confino
  • Anti-Judaism: The Western Tradition by David Nirenberg
  • The Internal Enemy: Slavery and the War in Virginia 1772-1832 by Alan Taylor
  • Glorious Misadventures: Nikolai Rezanov and the Dream of a Russian America by Owen Matthews
  • An Idea Whose time Has Come: Two Presidents, Two Parties, and the Battle for the Civil Rights Act of 1964 by Todd S. Purdum
  • The Story of the Jews: Finding the Words 1000 BC-1492 AD by Simon Schama
  • The Counter-Revolution of 1776: Slave Resistance and the Origins of the United States of America by Gerald Horne
  • Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East by Scott Anderson
  • Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
  • Sisters: The Lives of America’s Suffragists by Jean H. Baker
  • The Slave Next Door: Human Trafficking and Slavery in America Today by Kevin Bales
  • Red Mutiny: Eleven Fateful Days on the Battleship Potemkin by Neal Bascomb
  • Wilson by Scott A. Berg
  • Wondrous Beauty: The Life and Adventures of Elizabeth Patterson Bonaparte by Carol Berkin
  • Lucrezia Borgia by Sarah Bradford
  • The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics by Daniel James Brown
  • To Kill Rasputin : The Life and Death of Gregori Rasputin by Andrew Cook
  • The Wars of Reconstruction: The Brief, Violent History of America’s Most Progressive Era by Douglas R. Egerton
  • The Borgias and Their Enemies: 1431-1519 by Christopher Hibbert
  • Voting for Hitler and Stalin: Elections under 20th Century Dictatorships edited by Ralph Jessen & Hedwig Richter
  • Social Democratic America by Lane Kenworthy
  • Death in the City of Light: The Serial Killer of Nazi-Occupied Paris by David King
  • The Tigress of Forli: Renaissance Italy’s Most Courageous and Notorious Countess, Caterina Riario Sforza de’ Medici by Elizabeth Lev
  • Russian Roulette: How British Spies Thwarted Lenin’s Plot for Global Revolution by Giles Milton
  • The New Jim Crow by Michelle Alexander

Fiction –

  • Blood Land by R.S. Guthrie
  • Cauldron of Ghosts by David Weber & Eric Flint
  • Rex Regis by L.E. Modesitt, Jr.
  • Like a Mighty Army by David Weber
  • The One-Eyed Man by L.E. Modesitt, Jr.
  • Blood of Dragons by Robin Hobb
  • Words of Radiance by Brandon Sanderson
  • One Thousand White Women: The Journals of May Dodd by Jim Fergus
  • The Complete Malazan Book of the Fallen by Steven Erikson (a 10-book omnibus)
  • The Bat by Jo Nesbo
  • The Kingdom of Gods by N.K. Jemisin
  • Death Is Not the End by Ian Rankin
  • The Ludwig Conspiracy by Oliver Potzsch
  • The Hangman’s Daughter by Oliver Potzsch
  • The Dark Monk by Oliver Potzsch
  • Freeman by Leonard Pitts
  • The Magician’s Assistant by Ann Patchett
  • The Madonnas of Leningrad by Debra Dean
  • The Book Thief by Markus Zusak
  • The Impeachment of Abraham Lincoln by Stephen L. Carter
  • Witch Wraith by Terry Brooks
  • Mrs. Lincoln’s Dressmaker by Jennifer Chiaverini

I acquired most of the nonfiction books in hardcover and most of the fiction books in ebook.

Alas, I wish I could say that the above list represents all of the books I have added to my library since the last listing, but it doesn’t. I calculated that if I retired today and read four books every week, I would need more than 30 years to read all of the books I have acquired. Fortunately, most of the books are in ebook form (I have acquired more fiction than nonfiction) and I am trying to restrain my purchases.

I have found this to be the primary negative to my being an editor — I never seem to have enough books on hand, always want more, and spend much more than I should on books. On the other hand, editing provides me with a sufficient income to support my book addiction.

I admit that feeding my book addiction was less costly before ebooks. The ease of storage of ebooks encourages me to acquire books for future reading that I wouldn’t acquire if I had to acquire them in print form; in the latter case, I would wait until I had reduced my to-be-read pile significantly.

I also note that once I started acquiring ebooks, I also increased my hardcover acquisitions. My son claims (tongue in cheek) he will be able to have a comfortable retirement just from the sale of my library.

What books have you acquired in recent months that you would recommend being added to the TBR pile?

February 26, 2014

On Books: Dictionary of Untranslatables

Over my career as an editor, I have observed that no matter how much I know about language and usage, I know very little. Consequently, I am always on the lookout for books to add to my collection that I can also use in my work as an editor.

Regular readers of An American Editor know that my primary rule when editing is that the message from the author must be unmistakably communicated to the reader. Should there be any possible doubt about the message, then the language used is questionable.

In that light, I have always assumed that certain words that are used in American prose have clear and precise meaning when used to convey an author’s thoughts. In most instances, I, like many editors and readers, failed to consider the broader concepts that certain words convey; I understood, or so I thought, the common, everyday meaning and assumed it was that meaning that the author was using.

Words, however, can be philosophical in the sense that a word can be both specific and can be used as a substitute for a broader, more conceptual perspective. In my early years, I learned, for example, that the Russian word pravda, which was used as the name of a Soviet Russia newspaper (Pravda), was translated as “truth” — read Pravda and learn the truth about what was happening in Russia and the world.

Unambiguous words — truth, vérité, Warheit — are used to translate the word pravda but, as the Dictionary of Untranslatables: A Philosophical Lexicon (Barbara Cassin, editor, Princeton University Press, 2014 [English translation]; originally published in France as Vocabulaire européen des philosophies: Dictionaire des intraduisibles, 2004) notes, pravda also means justice. And the scope of its meaning as truth is limited: according to the Dictionary, “Pravda is never used to designate scientific truth.”

What the Dictionary does is trace the origins, usage, and conceptual meanings of a selection of words that are important in the worlds of literature, philosophy, and politics, yet which are not easy to translate (and sometimes are wholly untranslatable) from one language to another. The Dictionary illustrates that those words that seem translatable, such as pravda, actually have meanings and nuances that are important to understanding the concept of the word, which concept leads to a different definition than the standard translation implies as being the correct definition.

In its exploration of words, the article authors delve into the cross-linguistic and cross-cultural complexities of the words and their meanings. The terms chosen for exploration have had a great influence on thinking over the ages. The Dictionary cites a word’s contextual history and usage to give additional meaning to the discussion.

Consider the entry for “matter of fact, fact of the matter.” The discussion is of the expression “matter of fact,” which is “found in English philosophy, notably Hume.” The discussion dissects the expression in an attempt to establish its origins and meanings. Following a several-page discussion, the article ends with a bibliography. The bibliographies that follow each entry are interesting in their own right.

The idea of the Dictionary is to elucidate the differences the concepts of the included words and expressions have based on the language in which a word or expression is used, both originally and in translation. The languages are Arabic, Basque, Catalan, Danish, English, French, German, Greek (classical and modern), Hebrew, Hungarian, Latin, Polish, Portuguese, Romanian, Russian, and Spanish.

The terms are often transferred from one language to another without change. For example, praxis and polis are used in a variety of languages without translation; they have become part of a second language’s lexicon as if they were original to that language. Other terms are often mistranslated, even if just in the sense that the translation doesn’t express the breadth of the word’s meaning in its original language (e.g., pravda).

The essays make for some interesting reading. Even if a particular word is not one that I would encounter in my daily editing, reading the essays makes me think about the words I do see daily. In other words, not only are the essays interesting in what they have to say about a particular word’s origins and meanings, but they help reshape my approach to words as an editor.

The Dictionary of Untranslatables is wonderful addition to my language library. I view the Dictionary in the same light I view Steven Pinker’s books on language: not as resource that I will daily open as I would my Webster’s Collegiate, but as a book to savor and think about and to learn in the broader sense of learning. For anyone interested in language, in words, and the scope of meaning that a word can encompass, I recommend the Dictionary of Untranslatables.

If you would like to see a sample entry, Princeton University Press offers a few samples. This link will take you to the page where you can view online, in PDF format, a few entries. You might find the kitsch entry particularly interesting.

November 25, 2013

Business of Editing: Does an Editor Matter?

It isn’t too often that the worth of a good editor is hinted at by a reviewer, but when it happens, it stands out.

In “The Surprising Empress” (The New York Review of Books, December 5, 2013, pp. 18-20), Jonathan Mirsky reviewed Empress Dowager Cixi: The Concubine Who Launched Modern China by Jung Chang. I have always been fascinated by Chinese history, so the article caught my attention (I subscribe to the print edition of the NYRB and read the articles in print, not online). This looked like a book I would add to my future list of books to buy in hardcover, until…

Yes, the until raises its “ugly head” in this quote from the article (p. 20):

I have one small and two serious criticisms of Chang’s usually impressive biography. She occasionally lapses into slang or uses the wrong word. A woman “sashays” into a room, British merchants “showcase” a railway, a “roller-coaster of events” is said to have disturbed the emperor, and a concubine is described as a former “high-class call-girl.” “Winsome” is only one of the words misused.

Mirsky goes on to write:

More serious is the matter of sources.…Chang has drawn on the “colossal documentary pool” of twelve million documents in the First Historical Archives of China, which have to do with the reign of Cixi.

It would be useful to say something about these documents and how they are organized,…[R]eaders would like to know why she has chosen this or that source. I liked this biography, but have been troubled as a reviewer because the sources are not easy to check.

What Mirsky complains about are editorial failings. The publisher, Knopf, may or may not have hired a professional editor. Based on the first complaint of wrong words and slang, I wonder if Knopf did hire a professional editor familiar with American language usage (the market/target audience, at least for the reviewed version, is Americans) to copyedit the book. The second complaint, about the sources, makes me wonder if the book had undergone any professional developmental editing.

Or did Knopf take the easy path and simply hire the least-expensive editor it could find and let the author do as she pleased?

Basically, the review, which was written by Jonathan Mirsky, a well-known historian of China who was formerly the East Asia Editor of The Times of London, is complimentary because the book corrects 100 years of misinformation about Cixi’s reign. But for me, who is not a well-versed historian of China and who cannot read between the lines to determine that Chang’s book is a respectable addition to the repertoire, Mirsky damns the book by his quoted comments. I see, instead of a great addition to the history of China literature, a book that is questionable.

It is questionable not only because of the use of slang and wrong/inappropriate word choices, but because the sources are not verifiable or accessible. The message I receive is that neither the publisher Knopf nor the author Chang cared enough about either the book or the reader to ensure accuracy and provability. When I edit a book and see sources that cannot be accessed or identified as dominating the references, I tell the author that it reflects badly on the substance of the material. As a reader, how can I be certain that the same indifference was not given to the text?

In Chang’s case, the problem goes a bit deeper. When I am editing a book, I at least know it is being professionally edited. Granted, a consumer wouldn’t know, and if the author doesn’t follow my advice and correct the references or change incorrect word choices, the book would appear to the consumer as Chang’s book appears to me — unedited.

Editors do matter. The choice of editor does matter. The type of editing does matter. A good working relationship between author and editor does matter. And it is vitally important that an author not believe that each word he or she has written is sacrosanct and cannot be changed for the better. I’m sorry to say that in my career I have encountered several authors who wrongly believed that what they had written was already perfect and that my role as editor was simply to make sure there were no typographical errors.

There is a dual failure in Chang’s book. The first failure is that of the publisher. The publisher clearly should have had Chang’s book developmentally edited by a professional editor who has mastery over American language and usage. I would like to think that the sources problem would not have passed by such an editor. The publisher should have followed up the developmental editing with copyediting, again done by a professional editor with mastery of American language and usage. Many of the wrong word choice and slang problems might (would) have been avoided.

The second failure in Chang’s book is that, if the book was professionally developmental edited and copyedited, either the publisher did not insist on Chang following, or at least seriously considering, the suggestions of the editors (again, assuming there were editors involved) and offering justification for not following the suggestions, or Chang failed to seriously consider the suggestions on her own. It is not for the editors to be the experts on China history or the reign of Cixi, but it is for the editors to be the experts on word choice and source accessibility. (Again, all this rests on the assumption that whatever editing there was, was done by professional editors with mastery of American language usage.)

As I have written above, it is questionable whether the book was edited. But assuming it was edited, there is one other matter that could be problematic: What were the instructions to the editor?

Several factors actively impede a high-quality edit. These factors include schedule, author cooperativeness, publisher and author instructions that define the task for the editor to perform, and fee. We have discussed these many times, and the limitations each of these factors imposes do not change. It is difficult to obtain a high-quality edit when you pay a pauper wage and demand an unrealistic turnaround. (I recently was asked to edit a book on a schedule that would have required editing 116 manuscript pages each day. The material was very complex and a realistic schedule would have been 25 to 30 pages a day at most. I declined, but I do know that an editor who agreed to the schedule was hired — and was being paid less than I had been offered, which was not a celebratory amount.)

Which of these factors was present in Chang’s case, I do not know. I suspect, based on the reviewer’s comments, that several were present. Because I know that quality editing by a professional editor is important, perhaps more so in a book like Chang’s than in some other books, the reviewer’s comments are the red flags that tell me “do not buy this book” — and so I won’t.

Editors do matter and the right editor for the right job matters greatly.

November 20, 2013

The Holidays Gift List of Books II

Filed under: Books & eBooks,To Be Read — americaneditor @ 4:00 am
Tags: , ,

The holiday season is fast arriving. In another week, Americans celebrate Thanksgiving. Chanukah comes early this year, coinciding with Thanksgiving. And Christmas is a little more than a month away.

The real excitement in my household is spending the holidays with the grandchildren. One grandchild is still too young to really appreciate the season; the other is just getting to the age when she can at least appreciate gifts. But Thanksgiving should be great. Carolyn and I are hosting this year and expect about 20 people, maybe a few more. I’ve decided to be adventurous with the turkey so, I’ll be making it differently than in the past. The one thing I will be sure to do, however, is brine it in Coca-Cola (regular, not diet).

Which brings me to list making. I have to do the one thing I really hate doing at holiday time: make a list of possible gifts for me. I keep saying no gift is needed, just show up and let’s have fun, but that goes over as well as a lead balloon flies. So several years ago I started putting together a list of hardcover books I would like. Last year I published my list on An American Editor in “The Holidays Gift List of Books“; I thought I would do the same this year and see if you have any suggestions for hardcover books that I should add to my list. Here goes:

  • The War that Ended the Peace: The Road to 1914 by Margaret MacMillan
  • Making Freedom by R.J.M. Blackett
  • Redefining Rape: Sexual Violence in the Era of Suffrage and Segregation by Estelle B. Freedman
  • Hitler’s Furies: German Women in the Nazi Killing Fields by Wendy Lauer
  • Fear Itself: The New Deal & the Origins of Our Time by Ira Katznelson
  • The Tie that Bound Us by Bonnie Laughlin-Schultz
  • The Chosen Few: How Education Shaped Jewish History 70-1492 by Maistella Botticin & Zvi Eckstein
  • Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
  • The Strange Career of Porgy & Bess by Ellen Noonan
  • Thomas Nast by Fiona Deans Halloran
  • FDR and the Jews by Richard Breitman and Allan Lichtman
  • A Small Town Near Auschwitz: Ordinary Nazis and the Holocaust by Mary Fulbrook
  • How to Create the Perfect Wife: Britain’s Most Ineligible Bachelor and his Enlightened Quest to Train the Ideal Mate by Wendy Moore
  • The Original Compromise by David Brian Robertson
  • Freedom National: The Destruction of Slavery in the United States, 1861-1865 by James Oakes
  • The Sleepwalkers: How Europe Went to War in 1914 by Christopher Clark
  • The Creation of Inequality by Kent Flannery and Joyce Marcus
  • Remembering Survival by Christopher Browning
  • Angel of Vengeance by Ann Siljak

There are some others I am thinking about, but the truth is I already have a large number of books — both fiction and nonfiction — to read. I don’t really need more books to add to my to-be-read pile, especially as I am constantly adding books throughout the year.

If you are looking for a good book to give as a gift, I highly recommend The History of the Renaissance World: From the Rediscovery of Aristotle to the Conquest of Constantinople by Susan Wise Bauer. This is the third book in Bauer’s survey of world history. Her first book, The History of the Ancient World: From the Earliest Accounts to the Fall of Rome, and her second book, The History of the Medieval World: From the Conversion of Constantine to the First Crusade, are excellent.

Also excellent is the biography of Eleanor Roosevelt, who was the most remarkable woman, I think, of the twentieth century, by Blanche Wiesen Cooke. Only two volumes have been published so far: Eleanor Roosevelt, 1884-1933: A Life: Mysteries of the Heart and Eleanor Roosevelt, 1933-1938. Both volumes are available in the used book marketplace.

Some other nonfiction books I can recommend are these:

  • The Myths and Legends of Ancient Greece and Rome by E. M. Berens
  • Wilson by Scott A. Berg
  • Flight of the Eagle: The Grand Strategies That Brought America from Colonial Dependence to World Leadership by Conrad Black
  • One Summer by Bill Bryson
  •  One Thousand White Women: The Journals of May Dodd by Jim Fergus
  • The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis by Julie Kavanagh
  • The Fourth Part of the World by Toby Lester
  • The Inheritance of Rome: A History of Europe from 400 to 1000 by Chris Wickham

Now it’s time for your suggestions.

October 7, 2013

On Today’s Bookshelf (XIV)

Filed under: On Today's Bookshelf,To Be Read — americaneditor @ 4:00 am
Tags: , , ,

I spend my working hours editing books and then spend my pleasure hours reading more books rather than watching TV. I can’t recall the last time I turned on the TV (except to watch a rented video). What follows is a list of some of the books that I am reading (or acquired since the last On Today’s Bookshelf post) either in hardcover or in ebook form:

Nonfiction –

  • Harry Truman and the Struggle for Racial Justice by Robert Shogan
  • A World on Fire: Britain’s Crucial Role in the American Civil War by Amanda Foreman
  • The History of the Renaissance World: From the Rediscovery of Aristotle to the Conquest of Constantinople by Susan Wise Bauer (I already own and have read the first 2 volumes in this outstanding history: The History of the Ancient World: From the Earliest Accounts to the Fall of Rome and The History of the Medieval World: From the Conversion of Constantine to the First Crusade, as noted in prior On Today’s Bookshelf posts)
  • The Tribunal: Responses to John Brown and the Harpers Ferry Raid edited by John Stauffer and Zoe Trodd
  • Glorious Misadventures: Nikolai Rezanov and the Dream of a Russian America by Owen Matthews
  • The Autobiography of Mark Twain, Volume 2: The Complete and Authoritative Edition by Mark Twain, edited by Harriet Elinor Smith and Benjamin Griffin (I already own and have read volume 1)
  • Sin in the Second City by Karen Abbott
  • Iron Curtain by Anne Applebaum
  • Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East by Scott Anderson
  • Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
  • Stalingrad by Antony Beevor
  • The Prime Ministers: An Intimate Narrative of Israeli Leadership by Yehuda Avner
  • Shadow on the Crown by Patricia Bracewell
  • The Last Tsar by Donald Crawford
  • Thomas Becket by John Guy
  • Hiding Edith by Kathy Kacer
  • The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis by Julie Kavanagh
  • A Monarchy Transformed by Mark Kishlansky
  • The Mitford Girls by Mary S. Lovell
  • Shooting Victoria by Paul Thomas Murphy
  • Those Angry Days by Lynne Olson
  • The History of White People by Nell Irvin Painter
  • Nixonland by Rick Perlstein
  • The Spanish Holocaust: Inquisition and Extermination in Twentieth-Century Spain by Paul Preston
  • Six Women of Salem by Marilynne Roach
  • The Last Greatest Magician in the World by Jim Steinmeyer
  • Michelangelo and the Sistine Chapel by Andrew Graham-Dixon

Fiction –

  • Blood Land by R.S. Guthrie
  • Shadowborn by Moira Katson
  • Ascendancy by Jennifer Vale
  • Witch Wraith by Terry Brooks
  • Two Fronts: The War that Came Early by Harry Turtledove
  • Treecat Wars by David Weber
  • Shadowborn, Shadowforged, & Shadow’s End by Moira Katson (trilogy)
  • The Song of Eloh Saga by Megg Jensen (7 books combined in a single omnibus)
  • The Dream Thief by Shana Abe
  • Something Blue by Emma Jameson
  • Venice by Peter Ackroyd
  • The Winter Queen by Boris Akunin
  • Devil’s Garden by Ace Atkins
  • The Algebraist by Ian Banks
  • Bone Thief by Jefferson Bass
  • The Uncommon Reader by Alan Bennett
  • Bridge of Dreams and Daughter of the Blood by Anne Bishop
  • Killing Rain by Barry Eisler
  • First Among Sequels by Jasper Fforde
  • American Assassin by Vince Flynn
  • Seventy-Seven Clocks by Christopher Fowler
  • The Apostates Tale by Margaret Frazer
  • Haunted Ground by Erin Hart
  • Chosen, Exalted, Stained, and Stolen by Ella James (4 books)
  • The Iron Legends by Julie Kagawa
  • The Devil’s Star by Jo Nesbo
  • A Trick of the Light by Louise Penny
  • Resurrection Men by Ian Rankin
  • The Chair by James Rubart
  • The Book Thief by Markus Zusak

As you can see, I have no shortage of reading material. As I have noted before, my to-be-read pile keeps growing at a pace faster than I can read books. Perhaps if I ever retire I will have enough reading time to read faster than I acquire.

What is most interesting to me is not how many books I read but how many I start and never finish. Being an editor has its downsides. For example, I get frustrated by books that wander, or where the same character has 14 names (and counting), or the bad editing sticks out like a beacon, or the author has a lot to say but lacks even minimal storytelling techniques. (Note I have not mentioned those books that frustrate because of poor grammar and English, which is a category unto itself.)

The holiday season is soon upon us and I need to begin to put together a wish list of hardcover books I am interested in. Have you given thought to what books you will ask for this holiday season? How is your to-be-read pile growing/declining?

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