Last night I finished reading Ice Blue by Emma Jameson and am sorry that I finished — because the next book in the series is not yet available and I want more! The book is well-edited, well-written, and well-formatted, indicating that the author cares about the reader’s experience, a sense that too many indie books fail to communicate.
Ice Blue is a 5-star British mystery that involves Scotland Yard and the tensions between social classes that pervade the English cultural and social milieu. Unlike too many indie ebooks, Jameson has crafted a fine suspense tale but an even finer story about a Lord and a commoner, a modern-day Cinderella tale, yet one with believable characters. (And no, there is no fairy tale ending in this ebook, which is supposed to be the first in a series that features these characters.)
I firmly believe that there are several characteristics that define the writing of an outstanding author. I do not mean to imply that to be outstanding an author must demonstrate all of these characteristics, but rather the author must have more than one to be outstanding and the more the author has, the more outstanding the writing.
Those who follow my blog know that two indie fiction authors I regularly put in the outstanding category are Shayne Parkinson (historical fiction) and Vicki Tyley (mystery). Emma Jameson (mystery) is now a third, a new addition to my pantheon of superstar indie authors and has joined my list of must-buy authors. In my rating system (see On Books: Indie eBooks Worth Reading (I) for an explanation), she falls between Parkinson and Tyley. Her characterizations are better than Tyley’s but not as good as Parkinson’s. All three are 5-star writers.
Jameson’s lead character is Scotland Yard Detective Sergeant Kate Wakefield, a clearly lower-class denizen who puts her foot in her mouth more often than not. But Kate is a character you can touch, you can say is your next-door neighbor, is someone you want to see come out on top, is someone you can care for. Lord Hetheridge, her superior and chief superintendent, is the typical stiff, upperclass noble whose facade is cracked by Kate. Hetheridge’s character is written in such a way that a reader feels he or she can actually drink tea with this member of the nobility and feel comfortable doing so. The third major character is Detective Sergeant Paul Bhar, England-born but of Asian descent, who has a great sense of humor and such self-confidence that he steadies the investigative team and gives some “cheek” to the snobs of the upper crust of English society.
Altogether, the three primary characters are people you believe you can invite in for tea and biscuits (although they seem to prefer coffee) and not feel ill at ease.
The story itself is a typical British mystery, what one would expect from a Martha Grimes, Ruth Rendell, or P.D. James. And as is typical of British mysteries, everything is understated, by which I mean there are no blazing guns and mobsters that are typical of the American style — Ice Blue is more sedate and more involved in character development than in mystery development.
I rarely suggest to my wife that there is a book she must read; our reading tastes are generally too divergent. But occasionally I come across a book that is compelling. Again, the Tyley and Parkinson books fall into this category, as does Jameson’s Ice Blue. I will be interested to learn whether my wife agrees, especially as she is not a mystery lover.
For those of you looking for a new indie author to support, it is hard to go wrong with Ice Blue and Emma Jameson, especially at 99¢. I suggest giving her a try, particularly if you like the English-style mystery. I don’t think you will be disappointed.
An American Editor 