An American Editor

July 5, 2019

Why Do You Edit?

By Daniel Heuman

When I present at editing conferences, I’ve started asking the audience one question: Why do you edit?

The answers I get back are amazing and diverse; for example:

  • I like helping people tell their stories.
  • I contribute to medical research and change lives.
  • It gives me a good work-life balance.
  • I make science happen.
  • I help people communicate.
  • I get paid to read books!

The one answer that I’ve never heard is “I like checking consistency of hyphenation.” Nobody has ever told me that their driving force, the reason that gets them out of bed in the morning, is “making sure abbreviations are defined when they are first used.” That’s why editors love PerfectIt. It makes the mechanical elements of editing faster and easier, so you can focus on what matters. And that’s why I’m excited to announce the details of PerfectIt 4, our first new edition for Windows users since 2015.

The Basics of PerfectIt

If you haven’t used PerfectIt, its core philosophy is that humans make the best editing decisions, and they always will. The role of software is to help people make those decisions faster. PerfectIt doesn’t know what’s right. Instead, it alerts you to points in the document that could be errors. It leaves every decision up to you.

Here are some of the errors that PerfectIt helps you find:

  • Inconsistent hyphenation (e.g., “email” in one place, but “e-mail” in another).
  • Abbreviations that haven’t been defined or have been used before they’re defined.
  • Capitalization inconsistency (e.g., “Government” or “government”).
  • Brackets and quotes left open.
  • Numbers in the middle of sentences (spelled out or in numerals).
  • Inconsistencies in list punctuation and capitalization.
  • Use of sentence case or title case in headings.
  • Different spellings of the same word (e.g., “adviser” or “advisor”).
  • Common typos that spellcheck won’t find (no more “line mangers” or “pubic consultations”).

You can also use PerfectIt to enforce house style rules. The program is customizable so you can build in your own preferences. That’s useful for both freelance and in-house editors. If you’re a freelancer, PerfectIt lets you build in a style sheet for each client so it’s easy to keep track of different preferences. For an in-house editor, PerfectIt helps you enforce your style manual. You can set up your team with PerfectIt and make sure everyone at your organization follows the style manual (at long last).

PerfectIt doesn’t do anything that you can’t do. You can find and correct every error described above manually. However, these errors are time-consuming to find and easy to miss — and checking them is not why you edit! Checking mechanical errors is necessary work, but every minute you can save on the mechanics is more time for substantive editing.

What’s New in PerfectIt 4

In PerfectIt 4, we concentrated on one thing: increasing that time saving. We did that in two ways: improving PerfectIt’s initial scan and changing the interface. You can see it here.

In the past, PerfectIt’s initial scan was when you could step away from the computer and treat yourself to a cup of coffee or check your social media. With PerfectIt 4, a scan that could take as long as 5 or 10 minutes is now over in seconds. Coffee and social media will have to wait!

The biggest change in the interface is that every location now has a separate fix button. That makes it easier to use the preview text to see context and make changes. The time saving is just a second or two for each fix. However, the effect is cumulative. If you save a second or two on each fix, that can be a minute or two on each document. When you add that up over the course of a year, it’s significant.

Time savings aren’t the only improvement. We’ve also made changes to PerfectIt’s styles. We’ve added support for GPO Style, and we’ve updated WHO Style, UN Style, EU Style and American Legal Style. In addition, you can now base a style on an existing style. So if you do legal editing, you can start with PerfectIt’s built-in American Legal Style and build your own preferences on top of that.

Do More of What You Love

We made saving time the focus of PerfectIt 4 because that’s what every professional needs. Time saved on mechanics is more time for substantive editing (or more time for family, hobbies, and things that have nothing to do with editing). Do something you love. Checking for consistency mistakes is an important part of the job, but it isn’t why you edit.

Daniel Heuman is the CEO and founder of Intelligent Editing. PerfectIt is available for a 14-day free trial or a $70 per year purchase at intelligentediting.com. You can purchase it for just $49 per year (30% discount) if you’re a member of one of these professional editing associations.

July 1, 2019

EditTools 9 with Time & Project Management Macros Is Now Available

By Richard Adin

It has taken nearly two years to create the newest release of EditTools, but EditTools 9 is now available (http://www.wordsnsync.com/download.php). New features in EditTools 9 include:

Time Tracker not only lets you keep track of the time you are spending on a project, but it also keeps data about your projects and calculates your Effective Hourly Rate (EHR) and Average Pages per Hour (APH) for the specific project, all projects worked on in the current year, and all projects over your career.

EditTools 9 requires a new license; your EditTools 8 registration number will not work with EditTools 9. There are two versions of EditTools 9: a full version for a first-time EditTools user and an upgrade version for registered users of EditTools 8. Unlike past upgrades, the upgrade is not free.

For details about how to upgrade from EditTools 8 to EditTools 9, see the information at “Download Upgrade to EditTools v9 from v8.”

Richard (Rich) Adin is the founder of the An American Editor blog, author of The Business of Editing, owner of wordsnsync, and creator/owner of EditTools.

May 11, 2019

Check out the topic and speaker lineup for 2019 Be a Better Freelancer® conference

By Ruth E. Thaler-Carter, AAE and Communication Central owner

For those who have been eagerly awaiting information about Gateway to Success, Communication Central‘s 14th annual Be a Better Freelancer® conference, you need wait no longer! Here’s the lineup of topics and presenters; specific days and times will be announced soon, along with detailed speaker bios.

The conference will be held October 11–13, 2019, at the Chase-Park Plaza Hotel in St. Louis, MO. Hotel rooms are $150/night (plus taxes) and are comfortably shareable. (The conference rate is in place starting on Thursday, October 10.) The conference runs from 8 a.m.–5 p.m. Central time on Friday and Saturday, October 11 and 12, with continental breakfast and lunch included, and 9 a.m.–12 noon on Sunday, October 13, with coffee and tea provided. Dinner outings at nearby restaurants will be organized for the group, but are not included in registration.

This year’s conference is cosponsored by the National Association of Independent Writers and Editors (NAIWE) — an exciting first-time partnership. To register, go to https://naiwe.com/conference/ or www.communication-central.com.

The central location should be appealing for colleagues who have been interested in previous Communication Central events but found the East Coast location a challenge. We look forward to welcoming you to the Gateway City and an exciting panoply of resources to make your freelance efforts more productive and profitable!

Friday, October 11, and Saturday, October 12, 8 a.m.–5 p.m.
• You Oughta be in Visuals: Make Your Social Sizzle to Fire Up Your Freelancing, Walt Jaschek
Most of us are “word people,” but nowadays, it’s more and more important to promote a freelance business through visual media as well as the standard networking, social media (Twitter, LinkedIn, Facebook, etc.), website, press releases and other traditional efforts. Video content is expected to make up 80 percent of all Internet traffic by the end of 2019. Learn how to use video, Instagram, YouTube, Pinterest, podcasting and similar visual outlets to get the word out about your skills and services. This lively session will get you excited about adding visual elements to your promotional efforts.
• Finding and Working with Independent Authors, Dick Margulis
Independent authors might be the best, and fastest-growing group of, clients for many freelancers to work with, especially because many will pay for skills and services in editing, proofreading, design and layout, and publishing. Learn how to build up your freelance business by finding clients in, and structuring effective, profitable working relationships with, this sector of the publishing world.
• New Angles in Editing, Marilyn Schwartz
Those who revere Amy Einsohn’s classic Copyeditor’s Handbook will be thrilled to know that the University of California Press has published a new fourth edition, substantially revised and updated by Marilyn Schwartz, along with a new companion workbook prepared with co-author Erika Bűky. The Handbook has long served as
a valuable resource for writers and an essential reference for editors and proofreaders at every stage of their careers and in all areas of editing. Get the insider’s take on both the timeless wisdom of this beloved text and some critical new angles in editing that are explored in the revised edition and its accompanying Workbook.
• Working with Word/Acrobat, April Michelle Davis
Whether we like it or hate it, Microsoft Word remains the big dog on the word-processing playground and we all have to use it for writing, editing and proofreading work because it’s what most of our clients use — but using it effectively still presents challenges for many freelancers in publishing. Acrobat is also becoming a standard for not only proofreading, as it was originally designed for, but editing as well. Learn how to make the most of these essential tools, including practical tips and shortcuts/macros, educating clients unfamiliar with the programs, and rescuing documents from those dreaded crashes.
• Build a Better Website to Promote Your Freelance Business, Meghan Pinson and Ruth E. Thaler-Carter
It’s become common knowledge that freelancers need websites to build and support their business efforts. Find out why, and learn how, with tips on how to name your site, what to include, what not to do, how to make your site — and your business — look their best, and how to generate traffic through effective search engine optimization. If you don’t have a website yet, this session will get you started. If you already have one, this session will help you make it better at promoting your business and laying the groundwork for better interactions with clients.
• The Art of Persuasion: How to Get Paid What You Deserve, Jake Poinier
Getting paid what we’re worth is a challenge for freelancers both new and established. There always seems to be a new twist in how clients try to pay less than we expect or think we have earned. Pick up on practical, effective insights into positioning yourself with clients to ensure you generate the fees, rates and overall income that your experience and skills deserve, including tactics for increasing rates from current clients, developing referrals and more.
• Get it in Writing!, Dick Margulis and Karin Cather
The very idea of a contract for freelance editorial work scares many of us silly, so we often agree to projects without having agreements or contracts in hand. That can work — but it can backfire. The authors of The Paper It’s Written On (developed as a result of a previous Communication Central presentation) — one long-time freelance editor/book developer and one attorney/editor — will walk you through why a contract is important and what to include in one.
• The Business of Being in Business, April Michelle Davis
It takes more than good writing skills, a sharp eye for typos, a love of reading, the ability to alphabetize, a cellphone camera, etc., to be a successful writer, editor, proofreader, indexer, graphic artist or any other freelancer. Succeeding means being serious about the concept of being in business. You can be brilliant at what you do and still fail if you don’t set up your freelance effort as a business and treat it as such. Find out how to incorporate key business skills and tools to make your freelancing a success — or a bigger and better one.
• Effective Résumés for Freelancers, Rose “JobDoc” Jonas
Even in these days of online visibility through websites, LinkedIn profiles and similar ways to tell the world how great you are in your freelance niche, you often still need a résumé. Crafting one that works is a challenge, especially for those turning to freelancing after (or while still) working in-house. Find out what does and doesn’t work so you have the right document at hand whenever you need it.
• Your Best Publishing Option: Traditional, Hybrid or Entrepreneurial, Roger Leslie
As a freelancer, you decide how your books come to life. Knowing the key elements of book production, marketing and distribution direct you to the best publishing option for you. Choosing the publishing route that best suits your time, money and energy empowers you to do what you love most as your business and brand grow from a colleague whose goal is to help you “Live the Life You Dream.” Writers can use this session to get their work published; editors and proofreaders will find the session helpful in understanding how to work with aspiring authors.
• What Freelancers (Can) Do, Panel Conversation
You don’t have to be a writer or editor to freelance. Learn about opportunities for proofreaders, graphic artists, website developers, indexers and other types of freelancers — and resources they can use for success.

Sunday, October 13, 9 a.m.–12 noon
Freelancing 101: Launching and Managing Your Freelance Business, Meghan Pinson
Freelancing is a dream for so many people nowadays, and the “gig economy” is only expanding as time goes by. Learn when and how to launch and manage your freelance business to minimize the risks and maximize the advantages, along with tips about balancing work and family, among other important considerations.

2019 C-C conf Registration

2019 C-C Conf Topics and Speakers1

July 2, 2018

PerfectIt Now Offers Long-awaited Mac Version — 10 Questions Editors are Asking about PerfectIt Cloud

Daniel Heuman

This one actually goes to 11!

1. What is the fuss about?

Up until now, PerfectIt has only been available for PC users. With PerfectIt Cloud, Mac and iPad users can finally run it. That matters because PerfectIt speeds up mundane and distracting copyediting work so you can focus on substantive editing. It finds consistency errors and other difficult-to-locate errors that even the most eagle-eyed editor can sometimes miss. When time is limited (and it is always limited if editing is your business), PerfectIt gives you the assurance that you’re delivering the best text you possibly can.

2. Why would I spend money on PerfectIt when I can find every mistake that it can on my own?

Because PerfectIt will save you time and back up your skills. It’s true that every single mistake that PerfectIt finds can be found manually. You can make sure that every use of hyphenation, capitalization and italics is consistent. You can make sure every abbreviation is defined and that the definition appears on first use. You can check every list to make sure it is punctuated and capitalized consistently. You can make sure every table, box and figure is labeled in the right order. You can check that every heading is capitalized according to the same rules as every other heading at that level, or you can get software to find those mistakes faster so you can do the work that no software can do: improve the words used and the meaning communicated. That software is PerfectIt.

3. How much time does PerfectIt really save?

The time saving depends on how you edit. Editors who read through a text multiple times will find that they don’t need to read through as many times. That time saving is massive. Other editors find that they spend the same amount of time as they used to, but they deliver a better document.

4. Does PerfectIt work with fiction or nonfiction projects?

PerfectIt can be used on works of both fiction and nonfiction. It’s used on reports, proposals, articles, books, novels, briefs, memos, agreements, and more.

5. Does PerfectIt work with British, Canadian, Australian, or American English?

PerfectIt is international. It works with all of the above. It is primarily a consistency checker, so it won’t duplicate the functions of a spelling checker. Instead, it will spot inconsistencies in language — it won’t suggest that either “organize”’ or “organize” is wrong, but if they appear in the same document, it will suggest that’s probably a mistake.

PerfectIt also comes with built-in styles for UK, US, Canadian, and Australian spelling, so you can switch it to enforce preferences.

6. What do I need to run PerfectIt?

PerfectIt is intuitive and easy to use. It doesn’t require any training. You can see how it works in our demo video. To run PerfectIt Cloud, you just need a Mac, PC, or iPad with Office 2016 and an Internet connection.

7. When should I run PerfectIt?

The majority of editors run PerfectIt as a final check because it acts as a second set of eyes, finding anything that slipped by on a full read-through. Running it at the end of a project also acts as a check against the editor to make sure that no consistency mistakes are introduced during the edit (an easy but terrible mistake to make).

Some editors prefer to run PerfectIt at the beginning of an assignment. That clears up a lot of timewasting edits at the outset. It also helps the editor get a quick feel for the document, what kind of state it’s in, and what issues to look out for.

Everyone works their own way, and some editors find it’s even best to run PerfectIt both at the start and the end of a manuscript.

8. How much is it?

PerfectIt Cloud costs $70 per year. However, members of professional editing societies around the world can purchase at the discounted rate of $49 per year. Independent editors are the foundation of this business. Their feedback and support has driven the product and we hope the permanently discounted rate makes clear how important that is to us.

That price includes all upgrades and support, and it lets you run PerfectIt on multiple devices, so you can run it on both your main computer and iPad with one license.

9. I have the PC version — should I upgrade?

If your main computer is a PC and you already have PerfectIt, then we are not encouraging you to upgrade. In fact, even though PerfectIt Cloud looks a lot nicer and is easier to use, it doesn’t yet have some of the features that the PC version has. For example, it has built-in styles (such as American Legal Style), but it does not have options for customizing styles. It also doesn’t have the ability to check footnotes. We’re working to improve all of those aspects, but we are dependent on Microsoft for some changes. As a result, it will take time to give PerfectIt Cloud all of the features that the PC version has. Our first priority is PerfectIt 4 (due at the end of this year), which will bring a variety of new features to both versions.

That said, if your main computer is a Mac and you only have a Windows machine to run PerfectIt, then it is probably worth upgrading. The differences are relatively small compared to the pain of maintaining a separate computer.

10. I have to upgrade Office to use PerfectIt. Should I get the subscription or single purchase?

Get the subscription. Definitely get the subscription! Not only is it cheaper, but Office 2019 will arrive this fall. If you have the subscription, that upgrade is included.

11. It’s a first release, so is the software still buggy?

We’ve been beta testing PerfectIt Cloud for more than six months with editors from around the world, so it is tested and solid, and the number of bugs is minimal. The probability is that you won’t find any bugs at all. However, no amount of beta testing can fully prepare software for the real world, and there are a few things we still want to improve, so if you purchase before July 10, 2018, your entire first month is free while we put finishing touches on the product and eliminate the remaining bugs. To take advantage of the special offer, click this link.

Daniel Heuman is the creator of PerfectIt and the CEO and founder of Intelligent Editing. His software is used by thousands of editors around the world. Members of professional editing societies can get a 30% discount on PerfectIt here.

May 25, 2018

Special AAE conference discount extended!

The special discount for AAE subscribers for this year’s “Make Your Own Luck,” Communication Central’s 13th annual Be a Better Freelancer® conference, has been extended to June 25. The discount offers substantial savings (even better than the colleague’s discount for past participants and members of professional associations) on this invaluable event.

Who says 13 is an unlucky number? The 13th annual Be a Better Freelancer® conference, September 21-22 in scenic Rochester, NY, with an extra session on the morning of September 23, is a great way to improve your luck in launching or enhancing your editorial business.

Go to https://www.communication-central.com/aae-registration to download a PDF and register today. The AAE password is Register2018.

There’s only a very narrow window for this rate, so be sure to take advantage of it soon!

Familiar presenter names include Victoria Brzustowicz, April Michelle Davis, Ally Machate, Dick Margulis, Chris Morton and Pamela Hilliard Owens, with new insights and topics to share. Adrienne Montgomerie will be back with a lively session on marketing your business. New to the conference are Ann Kellett and Brenda Siler, along with Susannah Noel and Nancy Marriott of the Editorial Arts Academy.

Sessions will be of value to aspiring and established freelancers, as well as in-house professionals in editorial work.

Speaker bios and session info will be added to the Communication Central website over the next week or so. Owner and conference hostess Ruth E. Thaler-Carter has only one functional hand and arm for the moment, so site updates will take awhile.

January 8, 2018

A New Year — and a New Era for An American Editor

By Ruth E. Thaler-Carter

Happy new year to all subscribers and contributors to An American Editor! As most of you know, blog founder Rich Adin has done me the great honor of handing off “editorship” of An American Editor. I’m both thrilled and intimidated by this responsibility — Rich created big shoes to fill, so to speak. The response to our announcements of this change from colleagues has been downright heart-warming, and I appreciate all of your generous comments in various forums. I hope to live up to his — and all of your — confidence in me.

While Rich and I have been editing professionally for almost the same amount of time, we work on very different kinds of projects, so my take on this profession will be unlike his. He routinely works on huge projects, usually in the medical field; even one of my biggest projects would probably make only a chapter in one of Rich’s usual manuscripts. He also functions as a company, with people who work for him, while I’m happily a sole proprietor, occasionally working with colleagues but mostly on my own. However, we share similar opinions about many aspects of editing today. We both care about quality and excellence, and are concerned about consolidation in publishing, outsourcing, and professionalism in the field. We notice many of the same things about how editors approach their work, how independent editors manage their businesses, and what clients expect or demand from editors at all levels.

Rich is also far more technologically and technically ept than I will ever be, but I’ll do my best to enhance my skills in that area on behalf of our subscribers.

Because I’m new to blogging on my own, I probably will not post quite as often as Rich has been doing, so please do not be concerned or disappointed if it takes awhile for me to work up to a three-posts/week schedule.

I’m glad to report that several of our columnists still plan to be involved with An American Editor and continue to share their perspectives on editing: Jack Lyon, of macro fame; Carolyn Haley, fiction editor (and author; a double threat!); and AElfwine Mischler, indexer (who also covers working in Arabic). We are open to new columns, either occasional or regular ones, from new contributors. If you would like to contribute essays to An American Editor, contact me with your ideas at Ruth.Thaler-Carter@anamericaneditor.com.

No one (including me) gets paid, so all posts you see here or would consider writing are labors of love — love of our profession, of quality, and — if this doesn’t seem too touchy-feely — of colleagues.

If there are topics you would like to see addressed here, please feel free to let me know at Ruth.Thaler-Carter@anamericaneditor.com.

Again, my thanks to all of you for your support of An American Editor to date, and from this point onward. Here’s wishing a productive and profitable new year for all.

Ruth E. Thaler-Carter is an award-winning freelance writer, editor, proofreader, desktop publisher, and speaker whose motto is “I can write about anything!”® She is also the owner of Communication Central, which hosts an annual conference for colleagues, and the new editor-in-chief of An American Editor.

December 13, 2017

An AAE Announcement: Change Is Coming

Filed under: Breaking News,Uncategorized — Rich Adin @ 4:00 am
Tags: ,

As some of you know, I have semi-retired. I say “semi” because I am still accepting the occasional job from select clients, but my days of full-time editing are morphing into a couple of projects a year and lots of time with the grandchildren (with another coming in January).

I originally thought I would turn my attention to An American Editor, but I have found that I am increasingly being distracted by other things, not least of which are tackling my ever-growing To-be-Read pile of books (I did a rough count last week and the pile has grown to more than 200 books) and working on EditTools and a new book on the business of editing.

Because I think An American Editor is a valuable blog, I have decided that rather than end it, I would pass on editorial responsibilities to someone I think will do an outstanding job of continuing the traditions I have established for AAE over the nearly eight years (the first essay was on January 4, 2010) of its existence and more than 1,000 published essays. The new editor-in-chief of AAE is our own

Ruth E. Thaler-Carter

who has authored the On the Basics essays for AAE.

Ruth will be assuming her duties as of January 1, 2018. I will still be around and an occasional contributor to AAE, kind of like the not-seen publisher. Ruth will be in charge, so any questions — including about becoming a contributor to AAE — should be directed to her at Ruth.Thaler-Carter@AnAmericanEditor.com.

I hope you all will join me in wishing Ruth congratulations and wishing her a long and successful association with AAE.

Richard Adin, An American Editor

September 6, 2017

A New Season on AAE

Filed under: Breaking News,Uncategorized — Rich Adin @ 4:00 am
Tags:

Monday, September 11, begins a new season of essays on An American Editor. In addition to our current contributing essayists — Ruth Thaler-Carter, Jack Lyon, and Carolyn Haley — I am looking for additional contributors. If you are interested in writing for AAE, please contact me (rhadin[at]anamericaneditor.com).

The new season will begin with part III of Carolyn Haley’s Thinking Fiction: The Novel-Editing Roadmap series. Parts I and II were published just before the summer hiatus began. They are available on AAE: Thinking Fiction: The Novel-Editing Roadmap I and Thinking Fiction: The Novel-Editing Roadmap II.

We hope you will find our new season of essays valuable, interesting, and helpful.

Richard Adin, An American Editor

June 30, 2017

Only One Day More

For only one day more can AAE readers use the special AAE discount for the “Better by the Dozen”  conference.

July 1, 2017 is the last day for An American Editor readers to get the special AAE discount to the “Better by the Dozen,” Communication Central’s 12th annual “Be a Better Freelancer®” conference, September 15–16, 2017, at the Hilton Garden Inn/College Town in Rochester, NY.

This is one of the great events for editors, and it happens only once a year. Not convinced of its value? Ask colleagues who have attended one (or in many cases more than one) of these conferences about their value. Especially important for “younger” editors are the opportunities to network in person with colleagues from around the world and the ability to speak directly with recognized editorial professionals.

For more information see the original announcement: Worth Noting: Be a Better Freelancer 2017 Conference. To register, go to the Communication Central  Special AAE Offer and use the password C-C2017AAE for session and speaker information, and your special discount on registration. Here’s to seeing many of you there!

Richard Adin, An American Editor

June 23, 2017

It’s Even Closer Than Before

There are only 9 days until the AAE discount for the “Better by the Dozen,”  conference expires.

July 1, 2017 is the last day for An American Editor readers to get the special AAE discount to the “Better by the Dozen,” Communication Central’s 12th annual “Be a Better Freelancer®” conference, September 15–16, 2017, at the Hilton Garden Inn/College Town in Rochester, NY.

This is one of the great events for editors, and it happens only once a year. Not convinced of its value? Ask colleagues who have attended one (or in many cases more than one) of these conferences about their value. Especially important for “younger” editors are the opportunities to network in person with colleagues from around the world and the ability to speak directly with recognized editorial professionals.

For more information see the original announcement: Worth Noting: Be a Better Freelancer 2017 Conference. To register, go to the Communication Central  Special AAE Offer and use the password C-C2017AAE for session and speaker information, and your special discount on registration. Here’s to seeing many of you there!

Richard Adin, An American Editor

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