Repurposing Brick-and-Mortar Bookstores in the eBook Age

The consensus among the ebook seers is that in not too many years brick-and-mortar (B&M) bookstores will cease to exist — all book sales will be online or wireless.

If B&M bookstores continue to look and act as they currently do, I think the seers may eventually be proved right. To save B&M bookstores, and possibly even traditional publishers, the bookstores need to be repurposed in the eBook Age. They not only need to be repurposed, but they need to change how they generate revenue.

I think it is safe to say that we are several decades away from an ebook-only world, assuming we ever reach that point. I believe we will never see a truly ebook-only world; pbooks will always be around, even if just as antiquarian throwbacks for social trendsetters. As I’ve noted before (see The Death of “Personality” in the eBook Age), I think pbooks will retain significant value to a significant segment of the book-buying and -reading public, especially among scholars (see, e.g., eBooks and the Never-Ending Rewrite and Can eBooks Save University Presses?).

There is also another consideration. When the next Stephen King novel is about to be published, everyone knows about it — the B&M store is simply a conduit for getting the book to the reader. But the same isn’t true when the next Shayne Parkinson novel becomes available (see On Books: The Promises to Keep Quartet and On Books: Promises to Keep are Promises Kept for a review of her excellent series) nor is there an easy way to keep up with new releases of university press books, and these books — university press and independent authors — deserve the same exposure as the James Patterson books and need that exposure more than James Patterson books.

Repurposing of the B&M bookstore may be the way to aid independent authors, university presses, and small traditional publishers in the eBook Age.

Today’s B&M bookstores are blockbuster oriented and oriented toward the major traditional publishers. Except for local independent authors, indie authors and presses are not heavily stocked, and for good economic reason: they simply do not sell well enough to support the expenses of the B&M store. Perhaps instead of being corporate America bookstores, a cooperative of indie authors, indie presses, university presses, and smaller traditional publishers who currently struggle for bookstore shelving should be created to run B&M bookstores.

But if the Barnes & Nobles and the Borders chains are struggling, how can such a cooperative succeed? One way would be to act as fronts for print-on-demand (POD) pbooks and as a gateway to ebooks.

Yet this doesn’t address the new thinking that is required for indie bookstores to remain alive in the Internet age. Perhaps the answer lies in the creativity being shown by BookPeople, an independent bookstore in Austin, TX (see “At Camp, Make-Believe Worlds Spring Off Page”) and imitated by indie bookstores in Decatur, GA, and Brooklyn, NY. Although the idea focuses on a camping experience that involves using imagination and role-playing based on popular children’s books, there is no reason the options can’t be expanded. BookPeople’s Camp Half-Blood (based on the Percy Jackson and the Olympians series) had 450 available slots — and all slots were sold out within 90 minutes. Brownstone Books’ (Brooklyn, NY) Camp Half-Blood charges $375 per week for its Camp Half-Blood.

Using imagination is only a start. Perhaps indie bookstores could also become afterschool care centers for children or run tutorial programs. Let books become a partner in the enterprise rather than the dominant purpose of the enterprise. Doing so would give indie bookstores a new life and make them relevant again in the eBook Age.

If the indie bookstores banded together under a single associative umbrella, they could easily tap the creative talent of hundreds of bookstore owners and employees across the country and develop these competitive models that would repurpose the B&M bookstore and extend their lives significantly. But closer cooperation, which is the key, I think, to survival is tough to come by: people own their own businesses because they want to be wholly independent and it is difficult to think about giving up some control. I do not think another trade association is the answer; I think what is needed is a mix between the rigid top-down governance enforced by say a B&N corporate-structure chain and a franchisee relationship. Indie bookstores need to maintain individual character yet they also need to band more closely together if they intend to survive the eBook Age.

The true test will be whether indie bookstores, indie authors, and indie/university presses are willing to band together and whether they will cede some control in exchange for a future. If they are so willing, it will be beneficial to all book lovers as well as to the indies themselves. Although the creative ideas of indie bookstores like BookPeople can provide a small shot in the arm, I think there is a need to broaden the creativity pool. One idea — no matter how good it is — will not save the indies.

Do eBooks Make Brick-and-Mortar Bookstores Uninteresting?

I know the article title is a bit odd, especially having been written by a booklover, but the question has been bothering me the past several weeks.

In the past, I went to my local Barnes & Noble at least once a week, sometimes more often, and always walked out with 1 new book and often 2 or 3. But for the past couple of months I have had no desire to visit the store and the one time I did, I bought 2 books rather than the 5 I had originally picked up (i.e., I put 3 back on the shelf after first having decided to buy them). Even more telling, however, was that I had gone to the B&N only because my wife needed to pickup some B&N gift cards for neighborhood children; otherwise I wouldn’t have gone at all. And even more telling was that in the past I loved to browse the shelves looking for books; this trip I was impatient to leave.

I’m not buying fewer books; in fact, since I was given my Sony 505 Reader 2.5 years ago, I’m buying more books than ever. But what has changed in my buying habits is the number of fiction books I am buying — from a handful each year pre-Sony 505 to hundreds each year post-Sony 505 — and how I am obtaining them.

As those of you who have followed my On Today’s Bookshelf posts (On Today’s Bookshelf, On Today’s Bookshelf (II), and On Today’s Bookshelf (III)) know, I still buy quite a few nonfiction hardcover pbooks. But whereas before I would largely find them by browsing the bookstore bookshelves, I am increasingly discovering them through ads and reviews in The New York Review of Books, the New York Times Book Review, and the book review sections of various magazines to which I subscribe, such as The Atlantic and Smithsonian. If I read a review of a book that intrigues me or see an ad for one, I simply go online and order the book.

Fiction books, however, follow a different trajectory. For those few authors whose new books I buy in hardcover (e.g., L.E. Modesitt, Jr., Robin Hobb, Harry Turtledove, David Weber, Terry Brooks), I go to an online site, check the coming soon category for these authors, and preorder the books. For those fiction authors whose books I do not buy in hardcover, the process excludes the brick-and-mortar bookstore because these aren’t authors I am likely to find on the shelves — they are independent authors. And the largest growth area in published books is books by independent authors whose books are only available online.

I discover independent authors via online forums like MobileRead and by looking through the multiformat section at Fictionwise and Smashwords. At Fictionwise, I wait for the big sales because I am unwilling to spend too much money on an unknown author; I usually get to Smashwords via a recommendation at MobileRead and often with a discount coupon.

But even then independent authors are losing out — at least as far as my buying goes — because I simply do not have the patience to sift through lists of books. Neither Fictionwise nor Smashwords makes it very easy to scroll through their offerings. There is no way to stop for the day, return tomorrow, and pickup where I left off — I am forced to start from the beginning of the list yet again, which rapidly becomes tiresome. And it doesn’t help when what I see is poorly designed cover art; at least in the physical bookstore browsing is much easier. (See Finding the Needle in a Haystack of Needles (II): eBooksellers for an earlier discussion of my ebookseller frustrations.)

The brick-and-mortar (B&M) bookstore suffers from an inability to compete either in price or selection. Independent authors are increasingly (or so it seems) pricing their ebooks at $2.99 or less. Knowing this makes me reluctant to try a new author I find at the B&M bookstore; it is one thing to gamble $2.99 on an unknown author and quite another to spend $12.99 or more.

So what is there to attract me to the B&M bookstore? As each week passes, I find it a greater struggle to want to go to the B&M bookstore. I’m not interested in the pastries and coffee; I rarely ever peruse the magazines; I can buy the same books online for less (in Barnes & Noble’s case, its online bookstore undercuts its physical stores on pricing so why buy at the B&M version?).

Are ebooks quickly making B&M bookstores uninteresting destinations? In my case, yes, because there is little incentive to shop at the B&M store, especially for fiction. Unfortunately, the online ebooksellers aren’t making their sites must-go-to destinations either. I think there can be a great future for B&M bookstores, just not in their current guise. I’m not sure what guise they need to undertake, but it is certain that they do need to make the experience an interesting one and they must become must-go-to destinations.