Increasingly, I wonder why professional editors are being hired. In reading online discussions, it is pretty evident that (a) everyone thinks they can be an editor, (b) a growing number of authors think that self-editing or peer editing is more than sufficient, (c) professional editors are believed to be overpaid, and (d) people who have edited a romance novel think they can as competently and easily edit a 5,000-page manuscript on the genetics of cancer.
Of course, a lot of discussion online centers around price. Not only are editors offering services at unsustainable prices (see The Business of Editing: Why $10 Can’t Make It for a discussion of sustainable pricing), but users of the editing services offered are balking at those prices. (How absurd is this “pricing war” becoming? I received a job application from an editor offering to work for 25¢/page!)
It seems to me that the fundamental problem is that those who need a professional editor’s services have no clue as to why they need those services except that everyone tells them that they do and because using an editor is what authors have done for decades. The users of editors do not contemplate the purposes for which they want an editor’s services.
We have discussed professional editors and what their role is in the publishing process numerous times over the life of this blog. The editor’s role hasn’t changed, probably since the time of the very first editor. Yet even with that history, when asked “Why are you hiring a professional editor?”, the answer is rarely inclusive of what the editor does.
Within the past few weeks, I was asked to edit a paper that was going to be submitted as part of a grant proposal. The instructions were clear: check spelling and look for egregious grammar errors but touch nothing else. Why hire me? (I turned down the work for a multitude of reasons, including the project’s schedule was incompatible with my schedule, but largely because I am not a spell checker — I am a professional editor who expects to make use of my editorial skills, not a verifier that spell check software didn’t miss something.)
I think a significant amount of blame for the state of editing lies in the hiddenness of what editors do. It is hard to point to a paragraph in a book and say that because of the suggestions of the editor, this paragraph altered the author’s destiny, turned the author into a star or into a has been. Editors may have star-making power, but if they do, it is not readily apparent to either the editor or to the person who hires the editor.
The person hiring the editor is really looking for someone who can take away embarrassments before they become embarrassing. That’s because of the limited understanding of the editor’s role. Each person who hires an editor needs to ask, “Why am I hiring a professional editor?” If the answer is to verify spell checking software, then the follow-up question should be, “Why am I hiring a professional editor for a job that doesn’t require a professional editor?”
Ultimately, there should be an epiphany. The questioner should realize that what she needs to know is what a professional editor does. It is this appreciation of the skills owned by a professional editor that will enable the answering of the original query, “Why am I hiring a professional editor?” Importantly, once the question can be answered, it is likely to move the focus away from pricing and toward skillsets.
Another result of being able to answer the question is that the asker will be able to analyze her needs and guide the editor as to what is needed and wanted: If all you need to do is cross the street, you don’t hire a taxi. It is the lack of understanding on the part of an editor’s clients as to what an editor does and why it is important that is at the heart of the problems professional editors face in terms of unrealistic expectations and downward pressure on pricing. It is hard for an editor to convince a client that she is worth $50 an hour when the client thinks the editor is just a glorified spell checker.
Someone who understands what an editor does, understands the need for a professional editor. It remains true that no one will be able to point to a single paragraph in a book and say that the editor’s transformation of that paragraph instantly altered the author’s status; such singular events remain within the realm of the speechwriter. Unfortunately, because readers never see the before and after of an editor’s work, it is not possible for readers to see how the editor has improved or worsened an author’s work.
In addition, an editor suggests and the author decides, which means that an author can easily reject the advice that would transform his work from a member of the pack to leader of the pack as accept the advice.
The reason a professional editor is hired is that the client wants to ensure that her manuscript is accessible and understandable, that it flows not just in her eyes and mind but in the mind and eyes of others. She wants to know that her word choice conveys the meaning she intends. Professional editors have honed the skills that deliver these results. Professional editors are able to maintain a distance from the manuscript that enables an objective assessment; it is very difficult for a mother to objectively assess her child.
Once it is realized what a professional editor does and what skills he has, it becomes clear that not everyone can be an editor, just as not everyone can be a lawyer or doctor; that peer group editing is not the same as using a professional editor; that professional editors are skilled artisans who are worth more than a bottom-scraping fee; and that the editor who has successfully edited a romance novel is not necessarily the editor who can successfully edit a large manuscript on cancer genetics.
In other words, once one realizes what skills a professional editor possesses, it is easier to see that different skills are needed for different projects. Now one can answer the question, “Why am I hiring a professional editor?”
Richard Adin, An American Editor
An American Editor 