An American Editor

June 14, 2010

On Books: The Rain Wilds Series by Robin Hobb

Hobb has been one of my favorite fantasy authors for many years; I have read every book written under the Hobb name and I buy each as it is released in hardcover. Consequently, I was excited when she released Dragon Keeper, the first volume in her new Rain Wild series, in January 2010.

I eagerly set aside other books I was reading to take it up. Sadly, the book was a disappointment; it was merely an OK read, nothing to write home about. If the book is exciting and grabs me, I usually read a novel like this within a couple of days; but Dragon Keeper dragged on for a couple of weeks. The characters had little depth, the story little to hold interest. I struggled through the book, hoping that when the second book in the series was released in May 2010, everything would be better. And I particularly liked that I wouldn’t have to wait a year for the second book in the series.

Dragon Haven, the second book, was released on time. Admittedly, this book is a little better than the first book, but not by much — perhaps a fingernail’s worth. The characters have become slightly more memorable, the story perhaps a tad better, but overall I could care less if a third volume in the series is ever published.

The story follows the dragon keepers, a group of social misfits (misfits in the sense that because of their deformities they would normally have been abandoned at birth and not allowed to live and those who do live are forbidden to procreate) who are given the task of accompanying some newly hatched dragons on their quest for a place to live. As dragon keepers, they are responsible for grooming and hunting for the dragons. The first book establishes this relationship and we read how keeper and dragon begin to bond.

The second book picks up the story and we follow the keepers and the dragons until they find the mythical dragon home. Along the way, many of the dragons decide to turn their keepers into Elderlings, that is keepers with long lives who are physically shaped by their dragons, and one particularly uncaring dragon even decides to give her keeper wings because it fits the dragon’s sense of beauty.

OK, bottom line is who cares. The plot is dull, the characters have no depth, and there is much too much emphasis on the fact that a couple of the “humans” on this trip are homosexual. It actually seems more like an attempt to be politically correct — that is to have both hetero- and homosexuals in the story — than having the homosexuality add anything to the story. Perhaps that comes in the next volume, or perhaps never at all.

First it was L.E. Modesitt’s 16th volume in the Recluse series that disappointed (see L.E. Modesitt, Jr. & Celina Summers: Fantasy in Contrast), now it is Robin Hobb. I begin to wonder if these authors are putting any effort into their work or are simply trying to live off past glory.

In any event, I do not recommend Hobb’s Rain Wilds series. I think even die hard Hobb fans will be greatly disappointed. Perhaps the next volume will be the salvation volume, but if the first two volumes are any indication, it will just be more dull reading.

April 23, 2014

On Today’s Bookshelf (XV)

Here is a list of some of the books that I am reading (or acquired and added to my to-be-read pile since the last On Today’s Bookshelf post) either in hardcover or in ebook form:

Nonfiction –

  • Harry Truman and the Struggle for Racial Justice by Robert Shogan
  • The Chosen Few: How Education Shaped Jewish History, 70-1492 by Maristella Posttiani & Zvi Eckstein
  • Destiny of the Republic: A Tale of Madness, Medicine, and the Murder of a President by Candice Millard
  • The Last Campaign: How Harry Truman Won the 1948 Election by Zachary Karabell
  • The Spanish Inquisition: A Historical Revision by Henry Kamen
  • Ghettostad: Lodz and the Making of a Nazi City by Gordon J. Horwitz
  • Eichmann’s Jews: The Jewish Administration of Holocaust Vienna, 1938-1945 by Doron Rabinovici
  • The Decline and Fall of the British Empire 1781-1997 by Piers Brendan
  • The History of the Renaissance World by Susan Wise Bauer
  • The Heavens are Empty: Discovering the Lost Town of Trochenbrod by Avrom Bendavid-Val
  • Understanding the Book of Mormon by Grant Hardy
  • Would You Kill the Fat Man? The Trolley Problem and What Your Answer Tells Us About Right and Wrong by David Edmonds
  • A World Without Jews: The Nazi Imagination From Persecution to Genocide by Alon Confino
  • Anti-Judaism: The Western Tradition by David Nirenberg
  • The Internal Enemy: Slavery and the War in Virginia 1772-1832 by Alan Taylor
  • Glorious Misadventures: Nikolai Rezanov and the Dream of a Russian America by Owen Matthews
  • An Idea Whose time Has Come: Two Presidents, Two Parties, and the Battle for the Civil Rights Act of 1964 by Todd S. Purdum
  • The Story of the Jews: Finding the Words 1000 BC-1492 AD by Simon Schama
  • The Counter-Revolution of 1776: Slave Resistance and the Origins of the United States of America by Gerald Horne
  • Lawrence in Arabia: War, Deceit, Imperial Folly and the Making of the Modern Middle East by Scott Anderson
  • Zealot: The Life and Times of Jesus of Nazareth by Reza Aslan
  • Sisters: The Lives of America’s Suffragists by Jean H. Baker
  • The Slave Next Door: Human Trafficking and Slavery in America Today by Kevin Bales
  • Red Mutiny: Eleven Fateful Days on the Battleship Potemkin by Neal Bascomb
  • Wilson by Scott A. Berg
  • Wondrous Beauty: The Life and Adventures of Elizabeth Patterson Bonaparte by Carol Berkin
  • Lucrezia Borgia by Sarah Bradford
  • The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics by Daniel James Brown
  • To Kill Rasputin : The Life and Death of Gregori Rasputin by Andrew Cook
  • The Wars of Reconstruction: The Brief, Violent History of America’s Most Progressive Era by Douglas R. Egerton
  • The Borgias and Their Enemies: 1431-1519 by Christopher Hibbert
  • Voting for Hitler and Stalin: Elections under 20th Century Dictatorships edited by Ralph Jessen & Hedwig Richter
  • Social Democratic America by Lane Kenworthy
  • Death in the City of Light: The Serial Killer of Nazi-Occupied Paris by David King
  • The Tigress of Forli: Renaissance Italy’s Most Courageous and Notorious Countess, Caterina Riario Sforza de’ Medici by Elizabeth Lev
  • Russian Roulette: How British Spies Thwarted Lenin’s Plot for Global Revolution by Giles Milton
  • The New Jim Crow by Michelle Alexander

Fiction –

  • Blood Land by R.S. Guthrie
  • Cauldron of Ghosts by David Weber & Eric Flint
  • Rex Regis by L.E. Modesitt, Jr.
  • Like a Mighty Army by David Weber
  • The One-Eyed Man by L.E. Modesitt, Jr.
  • Blood of Dragons by Robin Hobb
  • Words of Radiance by Brandon Sanderson
  • One Thousand White Women: The Journals of May Dodd by Jim Fergus
  • The Complete Malazan Book of the Fallen by Steven Erikson (a 10-book omnibus)
  • The Bat by Jo Nesbo
  • The Kingdom of Gods by N.K. Jemisin
  • Death Is Not the End by Ian Rankin
  • The Ludwig Conspiracy by Oliver Potzsch
  • The Hangman’s Daughter by Oliver Potzsch
  • The Dark Monk by Oliver Potzsch
  • Freeman by Leonard Pitts
  • The Magician’s Assistant by Ann Patchett
  • The Madonnas of Leningrad by Debra Dean
  • The Book Thief by Markus Zusak
  • The Impeachment of Abraham Lincoln by Stephen L. Carter
  • Witch Wraith by Terry Brooks
  • Mrs. Lincoln’s Dressmaker by Jennifer Chiaverini

I acquired most of the nonfiction books in hardcover and most of the fiction books in ebook.

Alas, I wish I could say that the above list represents all of the books I have added to my library since the last listing, but it doesn’t. I calculated that if I retired today and read four books every week, I would need more than 30 years to read all of the books I have acquired. Fortunately, most of the books are in ebook form (I have acquired more fiction than nonfiction) and I am trying to restrain my purchases.

I have found this to be the primary negative to my being an editor — I never seem to have enough books on hand, always want more, and spend much more than I should on books. On the other hand, editing provides me with a sufficient income to support my book addiction.

I admit that feeding my book addiction was less costly before ebooks. The ease of storage of ebooks encourages me to acquire books for future reading that I wouldn’t acquire if I had to acquire them in print form; in the latter case, I would wait until I had reduced my to-be-read pile significantly.

I also note that once I started acquiring ebooks, I also increased my hardcover acquisitions. My son claims (tongue in cheek) he will be able to have a comfortable retirement just from the sale of my library.

What books have you acquired in recent months that you would recommend being added to the TBR pile?

June 10, 2013

On Today’s Bookshelf (XIII)

It has been months since I last shared what I am reading with you. (If you are interested in reading prior On Today’s Bookshelf articles, please click the link “On Today’s Bookshelf” above.) Alas, I wish I could say that my to-be-read pile is getting smaller, but it isn’t. It seems as if not a day passes when I am not adding yet another book or two or three to the TBR pile; although I am managing to make my way through the books, I am adding new books faster than I can read what books I already have in the TBR pile.

In a way, my situation has become more complicated. Recently, Barnes & Noble sent me a coupon for a great deal on the Nook HD or HD+. The HD is a 7-inch tablet with a 720p screen; the HD+ is a 9-inch tablet with a 1080p screen. I already own — and am very happy with — a 7-inch Nook Tablet (it’s just not high definition) but after looking at the device in my local B&N, I couldn’t pass up the opportunity to buy the HD+ for slightly more than half price. So now I have a Sony 7-inch eInk reader that my wife uses, a 7-inch Nook Tablet, and a 9-inch Nook HD+ Tablet.

What I have done is divide my books. On the Nook Tablet, I read fiction; on the Nook HD+ I am reading nonfiction and occasionally watching a video. The Nook HD+ is perfect for nonfiction and for PDF documents. However, the more I use the HD+ tablet, the more I like it, so I expect it won’t be long before all my books are on the HD+.

Here is a list of some of the books that I am reading (or acquired since the last On Today’s Bookshelf post) either in hardcover or in ebook form:

Nonfiction —

  • If Rome Hadn’t Fallen by Timothy Venning
  • The March of Folly: From Troy to Vietnam by Barbara Tuchman
  • Cleopatra: A Life by Stacy Schiff
  • The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo by Tom Reiss
  • Empire: What Ruling the World Did to the British by Jeremy Paxman
  • Beyond Belief: The Secret Lives of Women in Extreme Religions by Susan Tice & Cami Ostman
  • Inside the Centre: The Life of J. Robert Oppenheimer by Ray Monk
  • Hitler’s Commanders by Samuel W. Mitchum, Jr.
  • Carthage Must be Destroyed by Richard Miles
  • Thomas Jefferson: The Art of Power by Jon Meacham
  • Perfect Victim by Christine McGuire & Carla Norton
  • A World Lit Only by Fire: The Medieval Mind and the Renaissance by William Manchester
  • Scandalous Women: The Lives and Loves of History’s Most Notorious Women by Elizabeth Mahon
  • The End: The Defiance and Destruction of Hitler’s Germany 1944-1945 by Ian Kershaw
  • Belisarius: The Last Roman General by Ian Hughes
  • The Forge of Christendom: The End of Days and the Epic Rise of the West by Tom Holland
  • All Hell Let Loose: The World at War 1939-1945 by Max Hastings
  • The First Four Notes: Beethoven’s Fifth and the Human Imagination by Matthew Guerrieri
  • The Sun and the Moon: The Remarkable True Account of Hoaxers, Showmen, Dueling Journalists, and Lunar Man-Bats in Nineteenth-Century New York by Matthew Goodman
  • Caesar: Life of a Colossus by Adrian Goldsworthy
  • The Etymologicon: A Circular Stroll Through the Hidden Connections of the English Language by Mark Forsyth
  • A World on Fire: Britain’s Crucial Role in the American Civil War by Amanda Foreman
  • Cicero by Anthony Everitt
  • Return of a King: The Battle for Afghanistan 1839-1842 by William Dalrymple
  • The Murder of the Century: The Gilded Age Crime That Scandalized a City & Sparked the Tabloid Wars by Paul Collins
  • The Rape of Nanking by Iris Chang
  • The Publisher: Henry Luce and His American Century by Alan Brinkley
  • The Second World War by Antony Beevor
  • The Watchers: A Secret History of the Reign of Elizabeth I by Stephen Alford

Fiction —

  • House of Steel: The Honorverse Companion, Vol. 1 and In Fury Born (2 books) by David Weber
  • Antiagon Fire by L.E. Modesitt, Jr.
  • Inda; The Fox; Treason’s Shore; and King’s Shield (4 books) by Sherwood Smith
  • The Lies of Locke Lamora by Scott Lynch
  • The Purples by W.K. Berger
  • City of Dragons and Blood of Dragons (2 books) by Robin Hobb
  • The Serpent’s Tale; A Murderous Procession; Mistress of the Art of Death; and Grave Goods (4 books) by Ariana Franklin
  • I am Forbidden by Anouk Markovits
  • The Cadet of Tildor by Alex Lidell
  • Season of the Harvest and Forged in Flame (2 books) by Michael R. Hicks
  • The Daylight War by Peter V. Brett
  • A Walk Across the Sun by Corban Addison
  • The Blade Itself; Last Argument of Kings; and Before They are Hanged (3 books) by Joe Abercrombie
  • Immortals of Meluha and The Secret of the Nagas (2 books) by Amish Tripathi
  • Game of Souls by Terry C. Simpson
  • Ruins of Legend; Nature Abhors a Vacuum; and In Defence of the Crown (3 books) by Stephen L. Nowland
  • The Traitor Queen by Judi Canavan
  • The Concubine’s Daughter by Pai Kit Fai
  • The Pledge by Kimberly Derting
  • Little, Big by John Crowley

That’s some of what I am currently reading. I’ve got about a dozen hardcovers on preorder and a growing list of hardcovers I want to purchase.

Please feel free to share your reading list with us. Doing so may well bring your favorite authors some new readers.

August 22, 2012

Why Aren’t Publishers Pushing eBooks?

In a post discussing a twit from author Brent Weeks, Nat Hoffhelder of The Digital Reader wondered, in his blog post “Not All of Us Drink a $4 Coffee, Mr. Weeks,” why publishers aren’t “trying to convert paper book buyers to ebook buyers,” considering that publishers make more money on ebooks than on mass market paperbacks. Setting aside the question of whether publishers make more money on ebooks than on mass market paperbacks, the question is truly piercing: Why aren’t publishers trying to convert readers to ebooks?

We can begin with the proposition that ebooks are clearly the tsunami of the future for reading. It is not that the demand for pbooks will disappear entirely, just that ebooks will become greater than a majority share of the book market. One would think that publishers would want to grab the brass ring early while they can still steer the market.

Under the current scheme of things, ebooks are a much better investment than pbooks for publishers. If I buy a pbook, I can share it with an infinite number of friends, none of whom has to buy his or her own copy as long as they are willing to wait. In contrast, assuming I don’t pirate the ebook, every one of my friends who wants to read the ebook has to buy a copy.

OK, I realize that I cannot just shunt aside the pirating problem as if it didn’t exist, but there is a certain reality to pirating — the very vast majority of readers do not pirate ebooks. Instead, they buy a copy and if they share it, it is shared only among immediate family, often by letting the family member borrow the reading device. It is a small number of readers who post pirated copies of books and a small number who go to the trouble of finding them and downloading them.

Offsetting, I think, what believe the cost of pirating to be — or at least a goodly portion of that cost — are that with ebooks, publishers have no physical inventory to maintain, no cost of returns (unsold and overinventoried pbooks are returned by booksellers), errors can be inexpensively fixed (i.e., books do not need to be destroyed and entire print runs lost; with ebooks, the errors can be fixed and the ebook replaced very inexpensively), and sales are certain (under the pbook wholesale model, the publisher sells pbooks to a bookstore but doesn’t know how much it will ultimately be paid for the pbooks because they are subject to returns by both the consumer and the bookseller; contrast this with how the ebook market works). I’m sure there are other offsetting features of ebooks.

The publishers have been focusing, I think, on the wrong numbers when they discuss pirating. They seem to focus on the number of books available rather than on the number of downloads. Haven’t the Harry Potter ebooks demonstrated the problem with piracy numbers? Before the release of the ebooks, pirated versions were available. But their availability doesn’t seem to have affected very much sales of the official-release versions.

Publishers should be pushing ebooks, trying to convert pbook readers to becoming ebookers. In fact, if publishers wanted to twist Amazon’s nose a bit, they could subsidize Barnes & Nobles’ Nook: Buy a Nook for $99 and receive $99 worth of popular books of your choice (not the publisher’s choice) published by XYZ Publisher. Yes, the publishers would probably lose a bit of money to start, but once people get in the habit of reading electronically, few, I think, would stop.

Electronic reading done on an ereader is addictive, or at least I, my wife, and our ebooker friends have found it so. We are reading at least twice the number of books we previously read, and we read a lot. What we are not doing is reading more of the Big 6’s books — in fact, we are reading significantly fewer of those books. The reasons are simple: the big publishers, often called the Agency 6, are not pushing us toward their ebooks but away from their ebooks by their overpricing and their use restrictions.

Yes, pricing is an old argument that keeps coming back, but the bottom line is that it is an argument that cannot be avoided. Brent Weeks’ new novel — regardless of how much time and effort he put into its authorship — simply is not worth $14.99 to many of us. He is not a must-read author. Each reader has his or her own set of must-read authors, that handful of authors for whom we will pay $14.99. But the kicker is that for many of us, we’ll spend that $14.99 on the pbook version, not the ebook version, because that is the way publishers are pushing us.

This is a strategic mistake. It would be better to push us to the ebook version at a significantly lower price so that we become accustomed to buying the ebook version at a “reasonable” price. I have found that my list of must-read authors has dwindled considerably over the past several years. The more ebook reading I do, the less pbook reading I want or am willing to do. Consequently, when a must-read author’s new book arrives, I rethink how “must-read” the author really is.

The more time I spend with my ereader, the less willing I am to pickup a pbook. Yet that unwillingness does not convert to a willingness to substitute the ebook for the pbook when the ebook costs as much or more than the hardcover pbook. Increasingly, I find that I just pass on that “must-read” book and the author becomes a former must-read author. My list of must-read-traditional-publisher authors has dropped from more than 20 authors to 4 — David Weber, Robin Hobb, Harry Turtledove, and L.E. Modesitt, Jr. — although I expect Hobb and Turtledove to be dropped from the list over the next few months. (I also have a list of ebook-only indie authors, like Emma Jameson, Michael Hicks, Vicki Tyley, Shayne Parkinson, Rebecca Forster, and L.J. Sellers, among others, who I consider must-read but whose ebooks are at bargain basement prices compared to what the Big 6 and Brent Weeks want.)

By not pushing ebooks, the Big 6 are shrinking their market rather than expanding it. They are losing a significant number of sales that they (and their authors) should be making. More importantly, from the publishers’ and the authors’ perspectives, they are causing must-read author lists to shrink. As I noted earlier, it is clear that growth in the book marketplace lies in ebooks. pBooks may have some small growth, but not enough to sustain the industry.

Interestingly, I think that if the Big 6 changed their focus and pushed ebooks, they could easily pickup some of the best indie authors and publish them in ebook-only versions. The biggest problem that the indie authors have that the Big 6 could solve for them is getting the word out that they have a new book available.

I think three changes need to be made. First, publishers need to wrap themselves around ebooks as their future and start pushing them and doing so by pushing readers toward ebooks.  Second, they need to come up with a way to make brick-and-mortar bookstores relevant as showrooms for ebooks. Failure to make these changes is likely to exacerbate the decline of the Big 6. Agency pricing at current levels is really only a stopgap measure, not a sustainable plan for the future. Third, the Big 6 have to change their attitude toward indie authors and start looking to become the publisher of the better indie authors by offering intensive, high-quality marketing (along, of course, with better royalties than the standard pbook royalty scheme).

March 19, 2012

On Today’s Bookshelf (XI)

Filed under: Books & eBooks,On Today's Bookshelf — Rich Adin @ 4:00 am
Tags: , , ,

It has been a long time — 5 months — since the last On Today’s Bookshelf post, so I thought I’d share with you some of the hardcover and ebook purchases I have made since Bookshelf X. As usual, the list below is not comprehensive. Rather it is a partial listing of the purchases I have made, especially of ebooks.

My current to-be-read ebook pile has grown to more than 500 ebooks. My hardcover TBR pile now bulges at near 70 books. I am trying to figure out how to stop buying and to read faster, but books are my addiction. If I don’t buy the book that interests me when I encounter it, I am unlikely to ever buy the book, so I buy — and the TBR grows. I’m doubtful I’ll ever get to read all of the books I buy even when I retire, but that doesn’t dissuade me. It is just another of life’s challenges.

So here are the books and ebooks for today’s bookshelf —

Hardcovers —

  • The Swerve: How the World Became Modern by Stephen Greenblatt (also bought ebook)
  • Saladin by Anne-Marie Eddé
  • Lincoln and the Triumph of the Nation: Constitutional Conflict in the American Civil War by Mark E. Neely
  • Nazis on the Run: How Hitler’s Henchmen Fled Justice by Gerald Steinacher
  • The Greater Journey: Americans in Paris by David McCullough
  • The Death Marches by Daniel Blatman
  • The Heavens are Empty by Avrom BenDavid-Val
  • The YIVO Encyclopedia of Jews in Eastern Europe (2 vols) by Gershon David Hundert
  • Destiny of the Republic by Candice Millard
  • Roger Williams and the Creation of the Soul of America by John M. Barry
  • City of Dragons by Robin Hobb
  • Heinrich Himmler by Peter Longerich
  • The Language of Flowers by Vanessa Diffenbaugh
  • A Rising Thunder by David Weber (also bought ebook)

eBooks

  • Wrath: A Novel of Kentucky by Howard McEwen
  • The God’s Wife by Lynn Voedisch
  • The Deputy by Victor Gischler
  • The Color of Freedom by Michelle Isenhoff
  • Sherlock Holmes Omnibus by Arthur Conan Doyle
  • The Engines of Dawn by Paul Cook
  • Second Star by Dana Stabenow
  • Penumbra by Carolyn Haines
  • Nefertiti by Nick Drake
  • Mussolini’s Rome by Borden Painter
  • The Liberation of Alice Love by Abby McDonald
  • A Desert Called Peace by Tom Kratman
  • Gunwitch: A Tale of the King’s Coven by David Michael
  • Do No Evil: An Artemis Agency Novel by Ashley Goltermann
  • The Girl Born of Smoke by Jessica Billings
  • Nightbird’s Reign by Holly Taylor
  • Gap Creek by Robert Morgan
  • Birchwood by Roger Taylor
  • A Beautiful Friendship by David Weber
  • The Girl Who Tweaked Two Lion’s Tails by Pierre Van Rooyen
  • Mama Does Time by Deborah Sharp
  • Deadly Sanctuary by Sylvia Nobel
  • Black Out by John Lawton
  • Oppression by Jessica Therrien
  • Hose Monkey by Tony Spinosa
  • Healer by Linda Windsor
  • Eden by Keary Taylor
  • The Black Knight by S.C. Allen
  • New Religion: Rys Rising Book III by Tracy Falbe
  • The Pawn by Steven James
  • Den of Thieves by David Chandler
  • The Unwelcome Warlock by Lawrence Watt-Evans
  • Transfer of Power by Vince Flynn
  • I Dreamt I was in Heaven: The Rampage of the Rufus Buck Gang by Leonce Gaiter
  • The Curse of Chalion by Lois McMaster Bujold
  • Murder Over Easy by Marshall Cook

Most of the books and ebooks in the above lists I have yet to read. The lists are not recommendations, just a compilation of books and ebooks I have bought in the past few months.

Most of the hardcovers are nonfiction and nearly all of the ebooks are fiction. Hardcovers go into my permanent library collection. Some day, my children will have to figure out what to do with them. With the advent of ebooks, I have come to the conclusion that collecting a print library of books is really a way of getting even with one’s children for all the heartache they caused. Now they will have the headache of dealing with hundreds, if not thousands, of pbooks. A little bit of afterlife revenge :).

In reality, I like hardcovers because I grew up with them as the way to conduct research. I still prefer a print dictionary over an online dictionary; I like to see what comes before and after an entry. Besides, there is something aesthetically pleasing about some hardcover layouts, something that makes the eye want to look at the page. Someday that will also be true of ebooks, but not yet.

Are you stockpiling books and ebooks? Are there books and ebooks you would recommend?

November 23, 2011

On Books: The Shine of the Internet in the World of eBooks

As all of An American Editor book reviews (which are listed at the end of this article) imply, the Internet has opened reading vistas for me that otherwise would never have happened. I find that as a result of the Internet and places like Smashwords, I am being exposed to authors and stories that would not otherwise have been available to me. This has been the blessing of the Internet for readers, especially with the advent of ebooks.

The dark side remains the lack of gatekeeping and how finding worthwhile books to read is increasingly difficult. The easier it is for “authors” to find an outlet for their work, the harder it is for readers to separate the wheat from the chaff.

Unfortunately, although this problem has been discussed several times over the course of the past two years, no real solution has been forthcoming. I doubt there really is a single, good solution to the gatekeeping problem, except, perhaps, to not pay more than 99¢ for any ebook from an unknown author.

Even at that price point, I find myself waffling about whether to buy or not. That’s because my to-be-read pile is already several hundred books, nearly all of which I obtained free, and it keeps growing with free ebooks. I am unlikely to live long enough to celebrate the demise of my TBR pile even should I stop adding to it now.

Regardless, the rise of the Internet and the (relatively) recent rise of ebooks has worked wonders for multiculturalism. Exposure to literature from other continents and countries has broadened my perspective significantly. Previously, my exposure was to North American and West European literature. The geographical limitations imposed by contract between publisher and author limited opportunities to expand.

That geographical limitation combined with publisher gatekeeping, which had at least one eye, and perhaps more than one eye, focused on the bottom line, meant that exposure to other cultures was limited. (Of course, it doesn’t help that I am monolingual, which imposes its own fence.) As each day passes, the geographical and gatekeeping limitations fade a little more and increasingly seem to be only relevant to ebooks published by the big six publishers.

For all of this, the Internet should take a bow. The Internet shines at making what was previously unavailable available, and I, for one, am trying to take advantage of that ready availability. Alas, as noted earlier, that Internet shine does have a darkening tendency as well.

The ease of access has caused the lack of effective gatekeeping to cast its net much wider than just the Internet. Increasingly, traditional publishers seem to be publishing whatever they can get their hands on and in whatever condition they grabbed the book. The dark side of the Internet is the lowering of quality acceptance/expectations and the increasing demand for lower prices. This is not to say that as price increases, quality increases; there is definitely no upward correlation between the two as the Agency 6 prove on a regular basis. However, there is a correlation between lower price and lower quality — absent sufficient revenue, essential production services, such as editing, are bypassed. (Yes, I, too, can point to examples of outstanding quality ebooks that are free; yet being able to do so doesn’t negate the validity of the statement when discussing the broader ebook market.)

The lesson is that we need to work harder on figuring out a way to correlate price and quality and find that sweet spot that satisfies both. I expect that within the next few years we will come close to resolving the matter even though I currently have no idea as to what is a practical solution.

A large number of ebookers believe that publisher gatekeeping can readily be replaced by crowd gatekeeping. I wish this were true but the evidence so far, at least to my eye, indicates that too many of the crowd gatekeepers base their gatekeeping on factors other than quality of writing and quality of story. We still see all-too-many reviews in which price or geographical restrictions or some other unrelated-to-writing-quality criterion plays a role in deciding whether an ebook is a 2-star or a 5-star ebook.

In addition, I have found it difficult to find reviewers whose reviews I can consistently trust. (Part of the problem is that too many reviews are written by unidentifiable reviewers. Who is TommyGumChewer and why should I value his/her opinion? See Book Reviews & Reviewers: Deciding Which Reviews to Trust for an earlier discussion.) Many ebookers have developed their own criteria for evaluating reviews (e.g., dismissal of all 1-star reviews), which may work well for them, but leaves me unsatisfied. I have grown too accustomed to reviews like those in The New York Review of Books to find many of the reviews on the Internet helpful.

In the end, what I do is take advantage of what the Internet does best — make information available to me — and I “buy” ebooks whose descriptions interest me. I read (or try to read) those ebooks and act as my own gatekeeper, as inefficient a process as it is in this era of self-publishing. And, thus, what I “buy” is largely free, because with all the ebooks available, it would be very easy to spend a small fortune to find only a few excellent ebooks and authors.

How do you gatekeep?

(For those who are interested, the following are reviews I have written for An American Editor in order of newest to oldest:

I believe that covers all of the reviews on An American Editor. Happy book hunting!)

March 2, 2011

Waiting for Common Sense — Not: The Agency 6

It used to be the Agency 5, now it’s the Agency 6 as Random House has caved and instituted agency pricing. This further changes my book-buying habits.

Let me start by saying that I am not outright opposed to the agency system. What I am opposed to — and appalled by — is the pricing. Granted that Agency 6 pricing clearly demonstrates lack of competition bordering on price collusion (Isn’t it amazing how similar the Agency 6 ebook pricing is across the board?), but that isn’t the primary problem I have: The primary problem is that the selected price points are extortionate considering the restrictions imposed in the license (and note that it is a changeable, revocable license). Compound this with Rupert Murdoch’s greedy ploy, through his HarperCollins subsidiary, aimed at libraries, the last bastion for education of the poor, and what you have is a devil’s cabal.

(In an interesting aside, Murdoch’s Fox News has been denied access to Canadian TV because of its lack of impartiality. See Regulators Reject Proposal That Would Bring Fox-Style News to Canada. Maybe that is why he feels he needs to bleed American libraries — to make up for lost revenues and bias outlets.)

In the past I have spent significant sums of money building both my hardcover library and my cache of ebooks. It wasn’t so long ago that I could be counted on to spend $5,000 or more in a year on such purchases. The Agency 5 put a big dent in that spending. I felt compelled — if not honor bound — not to buy books, p- or ebooks, published by the Agency 5 (except where necessary because I already had several volumes in an ongoing series). So I focused my purchases on self-published, indie presses, academic presses, and Random House books. The consequence was that my expenditures on new releases dropped by more than 50% last year.

With Random House now part of the Agency cabal, my habits will shift yet again. If I want a new release in hardcover, I will wait to buy it on the remainder or the used book market, when I know that neither one of the Agency 6 nor their author will receive any compensation. But my ebook buying will (and has been) change even more dramatically.

A good example of the change occurred yesterday. Yesterday, the long-awaited second volume in Patrick Rothfuss’ Kingkiller Chronicles (the first volume was The Name of the Wind; the second volume is The Wise Man’s Fear) was released. My previous practice was to buy both the hardcover and the ebook versions; not this time, however. This time I bought just the hardcover because of the agency pricing (the ebook is virtually the same price as the hardcover and no ebookseller can sell it for a price lower than $14.99, which is exorbitant).

That is but one example. Increasingly, I am only “buying” free ebooks and ebooks that cost $2.99 or less, and those I am buying from Smashwords. The reason I buy from Smashwords is that most authors let you sample their work before you buy, some offering up to 75% of the ebook as a free sample. I admit that in the case of the free ebooks I don’t sample them, I simply download those that seem interesting, but for those that do cost some money, I generally read a portion of the sample before buying.

At Smashwords I discovered several self-publishing authors whose works are excellent. Granted they do not have the cachet of a Stephen King, J.D. Robb, or Robin Hobb, but they do know how to write a compelling story. A good example is Safina Desforges’ Sugar & Spice, a 99¢ mystery/thriller that compares well to any P.D. James novel.

The point is that the setting of exorbitant pricing by the Agency 6 has compelled me to look elsewhere for book purchases. Money that I previously spent supporting the traditional publishers is now going elsewhere — and it is costing me less yet giving me comparable enjoyment.

Yet there is one more thing that has to be said about the agency system. Currently, it is limited to ebooks. But that doesn’t make a lot of sense to me over the long run.

Under the more traditional wholesale system, the publisher sets a retail price for a book and the bookseller pays to the publisher approximately 50% of that wholesale price for each copy sold, regardless of the price that the consumer pays. (Yes, there are more wrinkles in the system, but I’m simplifying it for this discussion.) This is how it started with ebooks. The excuse for going to the agency system where the publisher sets the retail price below which no ebook can be sold and which pays the bookseller a fee for each sale was that low ebook pricing devalued the book and its content.

If that is a valid and sustainable argument, how does low pricing of the hardcover not devalue the book and its contents, too? Logically, there can be no difference. After all, a book is bought for its content, not for its package, and supposedly the content of the p- and ebooks are identical.

What this means to me is that we are the road to a major shakeup in the book industry. I think the agency system is only beginning with ebooks and will either have to be abandoned for ebooks or spread to pbooks. Although agency pricing has not been a big win so far, spreading it to pbooks could solve a major problem for publishers — the problem of returns, which would also solve the problem of excessive book print runs and remainders, and minimize the secondary market.

With the Agency 6 controlling more than half the publishing market overall and probably 75% or greater of the nonfiction market, the path they take could well become — and quickly — the path that smaller publishers take. The bulwark against the spread of agency pricing is the self-publishing market, but that market has to find ways of uniformly increasing its standards before it will supplant the traditional publishers.

In the end, it is clear that the Agency 6 lack common sense. At the same time that one or more of the Agency 6 publishers expects ebooks to grow to as much as 20% of all book sales in 2011, they try to thwart the one avenue of growth by imposing extortionate prices and limiting competition. Simultaneously, they allow the wholesale model to continue for pbooks, thereby devaluing their product and its content. Some day they will get it together; unfortunately, when that day comes, I expect it will not be to the consumer’s advantage.

In the meantime, I’ve changed my buying habits significantly and may well represent an unrecoverable customer loss for the Agency 6.

June 23, 2010

Do eBooks Make Brick-and-Mortar Bookstores Uninteresting?

I know the article title is a bit odd, especially having been written by a booklover, but the question has been bothering me the past several weeks.

In the past, I went to my local Barnes & Noble at least once a week, sometimes more often, and always walked out with 1 new book and often 2 or 3. But for the past couple of months I have had no desire to visit the store and the one time I did, I bought 2 books rather than the 5 I had originally picked up (i.e., I put 3 back on the shelf after first having decided to buy them). Even more telling, however, was that I had gone to the B&N only because my wife needed to pickup some B&N gift cards for neighborhood children; otherwise I wouldn’t have gone at all. And even more telling was that in the past I loved to browse the shelves looking for books; this trip I was impatient to leave.

I’m not buying fewer books; in fact, since I was given my Sony 505 Reader 2.5 years ago, I’m buying more books than ever. But what has changed in my buying habits is the number of fiction books I am buying — from a handful each year pre-Sony 505 to hundreds each year post-Sony 505 — and how I am obtaining them.

As those of you who have followed my On Today’s Bookshelf posts (On Today’s Bookshelf, On Today’s Bookshelf (II), and On Today’s Bookshelf (III)) know, I still buy quite a few nonfiction hardcover pbooks. But whereas before I would largely find them by browsing the bookstore bookshelves, I am increasingly discovering them through ads and reviews in The New York Review of Books, the New York Times Book Review, and the book review sections of various magazines to which I subscribe, such as The Atlantic and Smithsonian. If I read a review of a book that intrigues me or see an ad for one, I simply go online and order the book.

Fiction books, however, follow a different trajectory. For those few authors whose new books I buy in hardcover (e.g., L.E. Modesitt, Jr., Robin Hobb, Harry Turtledove, David Weber, Terry Brooks), I go to an online site, check the coming soon category for these authors, and preorder the books. For those fiction authors whose books I do not buy in hardcover, the process excludes the brick-and-mortar bookstore because these aren’t authors I am likely to find on the shelves — they are independent authors. And the largest growth area in published books is books by independent authors whose books are only available online.

I discover independent authors via online forums like MobileRead and by looking through the multiformat section at Fictionwise and Smashwords. At Fictionwise, I wait for the big sales because I am unwilling to spend too much money on an unknown author; I usually get to Smashwords via a recommendation at MobileRead and often with a discount coupon.

But even then independent authors are losing out — at least as far as my buying goes — because I simply do not have the patience to sift through lists of books. Neither Fictionwise nor Smashwords makes it very easy to scroll through their offerings. There is no way to stop for the day, return tomorrow, and pickup where I left off — I am forced to start from the beginning of the list yet again, which rapidly becomes tiresome. And it doesn’t help when what I see is poorly designed cover art; at least in the physical bookstore browsing is much easier. (See Finding the Needle in a Haystack of Needles (II): eBooksellers for an earlier discussion of my ebookseller frustrations.)

The brick-and-mortar (B&M) bookstore suffers from an inability to compete either in price or selection. Independent authors are increasingly (or so it seems) pricing their ebooks at $2.99 or less. Knowing this makes me reluctant to try a new author I find at the B&M bookstore; it is one thing to gamble $2.99 on an unknown author and quite another to spend $12.99 or more.

So what is there to attract me to the B&M bookstore? As each week passes, I find it a greater struggle to want to go to the B&M bookstore. I’m not interested in the pastries and coffee; I rarely ever peruse the magazines; I can buy the same books online for less (in Barnes & Noble’s case, its online bookstore undercuts its physical stores on pricing so why buy at the B&M version?).

Are ebooks quickly making B&M bookstores uninteresting destinations? In my case, yes, because there is little incentive to shop at the B&M store, especially for fiction. Unfortunately, the online ebooksellers aren’t making their sites must-go-to destinations either. I think there can be a great future for B&M bookstores, just not in their current guise. I’m not sure what guise they need to undertake, but it is certain that they do need to make the experience an interesting one and they must become must-go-to destinations.

March 18, 2010

eBooks & pBooks in Tandem

It appears that Barnes & Noble and some publishers plan to experiment with giving pbook buyers a discount coupon to purchase the ebook version of the purchased pbook. I’ve been wrestling with this idea for quite some time and I’m still undecided about how valuable such a system will be to me.

There are several considerations. Will I need to buy the hardcover or can I buy the paperback pbook? Buying the hardcover pbook isn’t much of a problem for me as I only buy hardcover pbooks. But where it does have some effect is on which books will come with the discount coupon and how recent will those books be: Will they be brand new releases still on the bestseller lists or will they be part of the long tail only? The answer also affects the price I would be willing to pay (or maybe it doesn’t; let’s see how the discussion unfolds) for both the p and e books.

Considering the state of pricing today, I also wonder if pbooks that come with the discount coupon will be priced differently than pbooks sans the coupon? This hasn’t been raised yet, but considering the shenanigans that currently occur with pricing, I could see publishers choosing to sell what would normally be a $30 pbook for $35 as a way of covering the discount. Unfortunately, we would never know. I could also see Barnes & Noble, whose reputation has taken some pretty heavy hits since it entered the ebook business, telling B&N members that hardcover pbooks without a discount coupon get a 20% member discount; those with the coupon get a 10% discount. The one thing that can be said for B&N is that it cares very little about how it treats its book buyers, especially its members.

Also of concern is whether the tandem books will be just fiction or both fiction and nonfiction. This matters greatly to me because I rarely buy fiction in pbook form. There are a few fiction authors — e.g., L.E. Modesitt, Jr., David Weber, Robin Hobb, Harry Turtledove — whose new releases I buy in hardcover, but these authors are still read-once-then-shelve authors, so I would be disinclined to pay twice for one of their books. Conversely, my nonfiction reading runs largely to history, biography, English language, and philosophy, and these books not only grace my library shelves but they are referred to regularly and sometimes reread in whole. These books I would be interested in both p and e versions if the price and quality of the ebook was right.

My fourth concern relates to the quality of the ebook. If the ebook has the typical quality problems we see today, I am disinclined to spend twice for the same book — especially when those quality problems come wrapped in DRM. We know that ePub works pretty well for straight text, which is typical of fiction, but what about the more delicate needs of nonfiction, such as foot-/endnotes, intricate illustrations, and detailed tables and graphs? Will publishers enhance quality control or remain haphazard in the quality assurance department?

When I buy a nonfiction pbook, the typical price ranges from $30 to $40; occasionally a book costs less and sometimes more than that range indicates. On average, most of the books I purchase cost about $35. So the important question is how much more am I willing to pay to have the convenience of reading an ebook of the purchased pbook?

I admit that if I could, I would gladly read any book I purchase on my Sony Reader. I generally have a hate relationship with electronic devices, especially my computers, but I love my Sony Reader. But it isn’t well suited for reading complex nonfiction. So I’m looking to upgrade my device and the tandem idea might be an incentive — if the price of the ebook part of the tandem is right.

And that’s the kicker — What is the right price? Currently, when I buy fiction ebooks I am unwilling to spend more than a very few dollars — never more than $5 and rarely more than $3 — because quality is so low. Because I buy nearly all my fiction in ebook form, it means there are a lot of fiction authors published by major, traditional publishers whose work I never sample. I will not pay Macmillan or Simon & Schuster or any publisher $9.99 for an ebook whose quality may be poor and which is, for me, a read-once-throw-away product, especially not when I can buy the same book in paperback for less than $7 at a bookstore or in hardcover for less than $7 either as a remainder or in a used bookstore. If I’m going to read it once and then toss it, I want toi go the least expensive route possible, unless I am collecting the author, in which event I don’t want anything but hardcover.

So what is the bright line, that magic number that would encourage me to use the discount coupon and buy both the hardcover and the ebook version of a fiction book? I guess that if the pbook cost no more than $30, I would be willing to pay a maximum of an additional 15% for the ebook version. Anything more than that and I would either just buy the hardcover or not buy the book at all

My bright line for nonfiction, however, is different. I buy and use nonfiction books differently, consequently I would be willing to pay more for the tandem ebook version. For me, buying the hardcover is a given; if I don’t buy the nonfiction book in hardcover, I simply am not interested in the book and will not buy it in any form. Well, if the ebook was less than $5 by itself, i.e., no need to also buy the pbook, I might think about buying some nonfiction in ebook only, but that level of pricing isn’t going to happen. But for a nonfiction book that I am buying in hardcover, I would go as high as 25% of the hardcover price for a well-done ebook version in the tandem deal. Anything more than 25% I would pass on.

But let me add this caveat as far as B&N goes: Given the choice between a 20% minimum member discount on a nonfiction hardcover or a 10% plus ebook discount coupon member discount, I will always opt for the 20% discount and forsake the ebook. But I’ll bet B&N won’t survey active members about their buying habits and opinions on this subject any more than it surveyed members before introducing the nook or its ebook product line. If ever there was a company working hard to dig its own grave, B&N is it.

Update

Since I wrote the above, two things have happened: First, I began reading Ken Gormley’s The Death of American Virtue: Clinton vs. Starr, and second, C-SPAN has made available hundreds of thousands of hours of past broadcasts, which hours include the Clinton impeachment proceedings and trial in the House and Senate. Because of my interest in the impeachment process and proceedings from a historian’s perspective rather than a partisan’s perspective, I would have gladly bought a high-quality ebook that included videos of the proceedings and perhaps interviews of the main players — but only if I was assured that I could read and access the ebook today, tomorrow, and 10 years from now. I would have gladly bought an enhanced pbook that included a DVD with videos of the proceedings and trial. And I would have readily bought both the pbook and a discounted ebook of Gormley’s book if the ebook was enhanced — and I was assured that I could read and access the ebook today, tomorrow, and 10 years from now — even if the ebook’s discounted price was 75% of the pbooks price.

My point is this: Certain books lend themselves to tandeming and can command a high price for the tandem. I don’t think fiction can command that high tandem price, but a book like The Loss of American Virtue could if the ebook were enhanced because the enhancements would flesh out and put in historical context the content of the primary text. Something to further think about.

February 23, 2010

On Today’s Bookshelf (II)

Since my last listing of recently bought books, I’ve added a few and read a few. For example, I bought in hardcover and read Robin Hobb’s Dragon Keeper, the first book in a new fantasy series, and Lawrence Watt-Evans’ A Young Man Without Magic, also the first in a new fantasy series, both of which I enjoyed. I also read several ebooks, including Randolph Lalonde’s First Light Chronicles: Omnibus, Patrick Welch’s Brendell: Apprentice Thief, Wendy Palmer’s The Frog Prince’s Daughters, and Frances Evlin’s The Eternal Trees of Prand, to name a few, which were also enjoyable although several suffered from poor editing (e.g., misuse of compliment and complement, misspellings such as court marshal for court-martial).

But fiction is not where I spend the bulk of my book money. For fiction, with exceptions for certain authors, of which Hobb and Watt-Evans are examples, I usually buy ebooks rather than hardcovers, and because of various publisher- and ebookseller-imposed restrictions, I tend to limit my fiction purchases to ebooks without DRM and that cost me less than $5. Primary, although not sole, reasons why I do not buy nonfiction in electronic form are the lack of universal DRM and good formatting (I’d like, for example, a table to look like a table, to be able to access footnotes, to view an illustration in its proper place). I want to know that what I buy today I can read next year or 5 years from now; not that I must rush to read a purchase for fear that it will be unreadable on my next reading device.

I know that I can strip out the DRM, but I don’t want to do so; I shouldn’t have to take those extra steps to enjoy a purchase. And because of the uncertainty that DRM gives about future access to ebooks, and because I buy so many more nonfiction books than I can read in the near term, I buy nonfiction in hardcover only. (Plus I get the aesthetic pleasure of being able to look at bookshelves filled with knowledge and get to recall what a “real” book feels like.)

So nonfiction is where I spend most of my book money. My thinking goes somewhat like this: If I want the book to be a permanent part of my library, then I’ll spend the money and buy it in hardcover.

In the past 2 weeks, I purchased these hardcover additions to my to-read pile:

  • The Nature of the Book: Print and Knowledge in the Making by Adrian Johns
  • The History of the Medieval World: From the Conversion of Constantine to the First Crusade by Susan Wise Bauer (I previously bought and read her excellent The History of the Ancient World)
  • For the Soul of France: Culture Wars in the Age of Dreyfus by Frederick Brown
  • Where Heaven and Earth Meet: Jerusalem’s Sacred Esplanade, edited by Oleg Grabbar and Benjamin Z. Kedar
  • The Oxford Dictionary of English Etymology
  • The Oxford Dictionary of Word Histories

Okay, the last two aren’t really for my to-read list; they are for occasionally picking up and learning about words and phrases. I have a number of similar books in my reference library. One of the “oddest” — and I put oddest in quotes because I do not mean it negatively — is a 20-year-old book called Reader’s Digest Illustrated Reverse Dictionary. I remember buying it because I wondered what made a dictionary a “reverse” dictionary and also wondered how useful it would be to me.

With all that has been happening in the Age of eBooks, sometimes it is nice to pickup a printed book and glory in the tactile experience. As much as I like ebooks, I do find ebooks a “colder” reading (i.e., tactile) experience; I grew up experiencing a combined tactile, visual, and intellectual experience when reading a book. Which leads me to the this: I plan to put The Nature of the Book at the top of the to-read list.

Before closing for the day, I do want to comment on Where Heaven and Earth Meet: Jerusalem’s Sacred Esplanade (2010). I first read about this book in a New York Times article about the Israeli-Palestinian conflict over Jerusalem. The book is a collection of essays written by Jews, Muslims, and Christians about the importance of the Temple Mount in each religion and culture. The book is resplendent with photographs. The content gives is a fascinating view of the convergence of religions and cultures from three distinct perspectives.

But at a $75 list price, why did the University of Texas Press choose to wrap such impressive content in such a poor, cheaply constructed and cheap looking hardcover binding — the kind of binding one sees on some coursebooks and print-on-demand books? This book deserves a quality binding and a quality dust jacket; it is a book that belongs on many home library shelves. Sometimes I wonder what publisher thinking processes are like.

Having said that, I still recommend the book to anyone interested in the history, culture, and views of the peoples and three major religions that converge on a single spot on this planet, a spot that belongs to all and to none.

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